Love stories; New York (N.Y.) -- Fiction; Scotland -- Fiction
“How do I know it! Because she is of my blood and yours. Have I not
seen a lot of it in you in our babyhood. Have I not gone through it
all myself--the longing part of it--the wishing and hoping and praying
and suffering. Do you think Sally that I have arrived at old maidhood
without knowing what a young maid thinks and feels; without having any
share of the torture that women must bear in some form or another. I
know it all as well as though it was all fresh before me instead of a
lurid memory. Ah, my dear she has all our nature--and her father’s
too. And he never learned the restraint that we had to learn--and
practice. When she is face to face with passion she may find herself
constrained to take it as he has always done: for life or death!” …
She paused a moment, panting with the intensity of her feeling. Then
she went on more quietly:
“Sally, isn’t it wiser to let her, in her youth and ignorance of
herself and the world, break herself in to passion and romance. It
would be hard to get a safer object for sentimental affection than a
man she never saw and is never likely to meet. After all, he is only
an idea; at best a dream. In good time he will pass out of her mind
and give place to something more real. But in the meantime she will
have learned--learned to understand, to find herself.” Then she sat
silent till Joy turned round and began to walk towards them. At this
the mother said quietly:
“Thank you, dear Judy. I think I understand. You are quite right, and
I am glad you told me.”
That journey round the Sorrentine Peninsula became a part of Joy’s
life. It was not merely that every moment was a new pleasure, a fresh
delight to the eye; her heart was in some mysterious way beginning to
be afire. Hitherto her thoughts of that abstract creation, Lord
Athlyne, had been impersonal: an objective of her own unconscious
desires, rather than a definite individuality. Up to now, though he
had been often in her thoughts, he had never taken shape there. The
image was so inchoate, indefinite, vague and nebulous. She had never
tried or even wished to find for him in her imagination features or
form. But now she had begun to picture him in various ways. As she
stood beside the Moorish tower looking down across the rugged slope of
rock and oleander at the wrinkled sea beneath, his image seemed to
flit before the eyes of her soul in kaleidoscopic form. It was an
instance of true feminine receptivity: the form did not matter, she
was content to accept the Man.
Public-domain text, read in full here on John Shaqi.
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