Far away and unspeakably regretted the days, alas, or, more exactly, the nights, on which one could walk away from the Français under the spell of such fond convictions and such deep and agitating problems. The emphasis of the international proposition has indeed had time, as I say, to place itself elsewhere—if, for that matter, there be any emphasis or any proposition left at all—since the age when that particular pleasure seemed the keenest in life. A few months ago, one evening, I found myself withdrawing from the very temple and the supposedly sacred rites before these latter were a third over: beneath that haunted dome itself they seemed to have become at last so accessible, cynically making their bargain with them, to the profanations long kept at bay. Only, with that evolution of taste possible on the part of the old worshipper in question, what world-convulsions mightn’t, in general, well have taken place? Let me continue to speak of the rest of the matter here before us as therefore of almost prehistoric reference. I was to make, in due course, at any rate, my limited application of that glimmering image of a M. de Jalin with whom we might have more fellow-feeling, and I sent “The Siege of London” accordingly to my admirable friend the late Leslie Stephen, then editor of _The Cornhill Magazine_, where it appeared during the first two months of 1883. That is all I remember about it save always the particular London light in which at that period I invoked the muse and drove the pen and with which the compositions resulting strike my fancy to-day as so closely interfused that in reading over those of them I here preserve every aspect and element of my scene of application lives again for me. This scene consisted of small chambers in a small street that opened, at a very near corner, into Piccadilly and a view of the Green Park; I had dropped into them almost instantaneously, under the accepted heavy pressure of the autumnal London of 1876, and was to sit scribbling in them for nearly ten years. The big human rumble of Piccadilly (all human and equine then and long after) was close at hand; I liked to think that Thackeray’s Curzon Street, in which Becky Sharp, or rather Mrs. Rawdon Crawley, had lived, was not much further off: I thought of it preponderantly, in my comings and goings, as Becky’s and her creator’s; just as I was to find fifty other London neighbourhoods speak to me almost only with the voice, the thousand voices, of Dickens.