Lady Car: The Sequel of a LifeOliphant, Mrs. (Margaret)
General
Lady Car: The Sequel of a Life
Oliphant, Mrs. (Margaret)
Marriage -- Fiction; Mothers and sons -- Fiction
‘There’s a lot of houses about,’ he said. ‘Aren’t there any fellows down
there, or there’--he pointed to distant roofs and groups of chimneys
appearing at intervals from among the leafless trees-- ‘that one could
speak to? It’s awfully dull here after knowing so many at school.’
‘There are some children at that white house with the blue roof,’ said
Janet, ‘but they’re not good enough, nurse says; and I don’t know nobody
to play wiz,’ the little girl added rather wistfully--she made all her
‘th’s’ into ‘z’s’ still--‘I only take walks.’
‘Children!’ said Tom contemptuously. ‘I wasn’t asking about children. I
meant fellows at school. If they’re at a good school they’re good
enough. I’ll soon find out. When a fellow has been out in the world, and
goes to school, you don’t suppose he minds what nurse says.’
‘Oh, but nurse says a great, great many zings,’ said Janet. ‘She says
Easton’s a little poky house, and that we should be in our own family
place. What’s a family place? Do you know? It is something fazer is
buried in,’ the little girl added after a moment, with a little thrill
of solemnity. Tom burst into a laugh in the pleasure of his superior
knowledge.
‘You _are_ a little ass, Jan! Of course I know. My family place is a
grand one, with a big tower, and a flag on it when I’m at home--like the
Queen at Windsor! The worst is I’m never at home: but I shall be when
I’m big, and then shan’t we have times! I’ve told a lot of fellows. I’ll
have them up to my place in Scotland for the shooting, don’t you know.’
Janet only gave him a look out of her large light eyes. ‘Girls don’t
shoot,’ she said. ‘I don’t want to be at your shooting. Tom, do you
remember fazer? He’s buried there.’
‘Oh, humbug! he’s buried in the church-yard, where all the dead people
are buried. Of course I remember him. What’s that got to do with it? I
remember having a ride on his big black mare, such a big tall beast, and
nobody could ride her except me and--him you know. He was behind when I
rode her, and she carried us both as easy as a lamb. Old Duncan told me
so--as easy as a lamb--because she knew who was her master!’ the boy
cried, with the colour mounting up into his cheeks. He began to switch
the chairs with a little cane he had in his hand, and bade them to ‘get
on’ and ‘gee-up,’ to Janet’s considerable disturbance, for she had
already learned that a boy’s boots were apt to be muddy, and that chairs
covered with brocade, and carved and gilded, were not meant to be ridden
or to gee-up.
‘Don’t, Tom,’ she said; ‘they’re mozer’s pretty chairs.’
‘Oh, bother!’ cried the boy, ‘where’s mother? I want to tell her lots of
things, but I won’t if she’s so particular about her chairs and stays so
long away.’
‘She’s in the library with Beau,’ said Janet; ‘they are always in the
library. It is so pretty. Mozer likes it better than the drawing-room.
But they will soon come in for tea.’
Public-domain text, read in full here on John Shaqi.
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