Lady Car: The Sequel of a LifeOliphant, Mrs. (Margaret)
General
Lady Car: The Sequel of a Life
Oliphant, Mrs. (Margaret)
Marriage -- Fiction; Mothers and sons -- Fiction
Lady Car came in as he gave forth this determination in a loud voice.
She came in very softly, as was her wont, with the soft trail of her
satin gown on the soft mossy carpet, on which her light steps made no
sound. In her eyes was still the dreamy smile of her pleasure in all the
details and chronicles of a school-boy life, so elevated and ethereal,
its dreams and its visions and its high purposes. She was imagining to
herself a poem in which it might all be set forth in chapters or cantos.
‘The dawning genius’ would be the title of the first. She saw before her
the spiritual being, all thought and enthusiasm, making a hundred
chimeras divine--the boy-poet, the heir of all the ages, the fine
flower of human promise. Half the adoring wife and half the woman of
genius, she came in softly, with delicate charms of verses already
sounding in her mind, and the scheme of the poem rising before her. Not
like the Prelude: oh no; but the development, the dawn (a far more
lovely word), the dawning of genius, of which in its time it might be
her delightful mission to record the completion too.
She was roused from this vision by the noisy boyish voice. ‘I shan’t,
and there’s an end of it,’ cried Tom, and she raised her dreamy eyes,
startled to see the boy standing red in the face and defiant, his legs
apart, his sturdy little square figure relieved against the window. How
different from the ideal boy of whom she had been dreaming! the real
boy, her son.
They both looked at her with an alarmed aspect, not knowing what would
happen. Poor Carry was the gentlest of mothers. She never punished them,
never scolded, but yet no one could tell why, they had always the air
of being afraid of her. They looked at her now as children might have
looked who were accustomed to be sent into solitary confinement, shut up
in a dark closet, or some other torture. Tom’s voice fell in a moment,
and Janet came out in defence like the little woman in a weatherhouse,
when the little man skulks indoors disconcerted by the good weather.
Janet came forward with a little hand raised. ‘Mozer, it was not
naughtiness. It was because he has been out in the world and knows
things different from me.’
‘Yes?’ said Lady Car, smiling upon them, ‘and what are the things this
man of the world knows? To be sure, dear, he must be greatly in advance
of you and me.’
The children were all the more abashed by this speech, though its tone
was so gentle. They stared at her for a moment with their father’s face,
dark and stolid, the likeness intensified in Tom by the sullen alarm of
his look. She put out her hand to him, to draw him close to her. ‘What
is it,’ she said, ‘my little boy?’ She was, to tell the truth, rather
afraid of him too.
‘It’s nothing,’ Tom replied. ‘It’s something she’s said.’
‘Oh, Tom,’ cried Janet with a sense of injury. ‘Mozer, he says, they
have such nice teas at school--strawberries, and sometimes cold
partridge, and whopping hampers.’
‘My dear!’
Public-domain text, read in full here on John Shaqi.
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