Lady Car: The Sequel of a LifeOliphant, Mrs. (Margaret)
General
Lady Car: The Sequel of a Life
Oliphant, Mrs. (Margaret)
Marriage -- Fiction; Mothers and sons -- Fiction
But when the holidays were over Carry’s anxious expectations and
suspense increased again. Beaufort kept to his new toy even when Tom was
gone. He would interrupt his studies, springing up, whatever he was
doing, to pull down or put up that flag, till poor Carry’s heart grew
sick of the little formula which accompanied all her movements. She
began to feel that he liked to be disturbed and that idling forth into
the air to perform this little ceremony was more delightful to him than
to get on with that work, which, so far as she could make out, was not
yet begun. He had found more notebooks after Tom went away, but the
notebooks now began to pall a little. And slowly, slowly, Carry’s eyes
began to open. She never whispered it to herself, but she began to
understand, as the years went on many things that were never put into
words. She became first of all very sick of the notebooks and the
wonderful number of them, and all those tantalising scraps which never
came to anything. Her own little poem which she had begun had gone no
further. The dawning of genius--but the dawn was still going on. It had
never come to be day yet. Would it ever come? Slowly, reluctantly, this
began to be revealed to her, broken by many gleams of better hope, by
moments when she said to herself that she was the most unjust woman in
the world, grudging her husband the leisure in which alone great
thoughts can develop--grudging him the very quiet which it had been the
desire of her heart to attain for him. The most unjust of women! not his
wife and assistant, but his judge, and so hard a one! It was bitter
sweet to Carry to be able thus to condemn herself; but it did not change
the position of affairs.
Public-domain text, read in full here on John Shaqi.
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