Against the wall stood a huge old sofa, showing delicate touches of
brass on the carved woodwork, and piled with a profusion of cushions to
match the tapestries in tone. There was a table also of carved Chinese
wood, littered with books, and a surprising number of odds and ends
considering the very short period in which it had been in use; a bureau
of dull red lacquer, littered to match, and a great blue enamel bowl
containing a few, but only a few, spring flowers.
When Grizel did a thing at all she did it thoroughly, and when the
drawing-room was finished to a thread, she herself dressed to match it
in a cream lace robe of fallacious simplicity, caught together with a
clasp of turquoise and diamonds, and a blue snood tied about her head.
When the crucial moment arrived, she intended to seat herself
sultana-like on her couch and burst in full splendour upon the admiring
throngs. Martin was convinced that no living thing could fail to be
subjugated by that gown, but he was equally convinced that Chumley would
disapprove of the snood, which it would call a bandage, and consider
theatrical and out of place. He knew his business better than to say
so, however, and was at the moment abundantly occupied in trying to lure
his wife from the window, where she had taken up her position,
field-glasses in hand, to watch the approach of the first group of
visitors up the lane leading to the gate.
"The Campbells are coming. Hurrah! Hurrah! Three of 'em. One stout
person in green, one thin person in black, one girl with large feet.
Girl with feet has fair hair. Who do you know, Martin, with fair hair
and large feet?"
"Dozens of 'em." Martin threw a quick look over his wife's shoulder and
recognised the group at a glance. "Mrs Mallison, wife of Major
Mallison, retired Army man--the Seaforths. Eldest daughter Mary, dull
and domestic. Second daughter Teresa, sporting. They are quite near
the gate now, dearest. Don't, please, let them see..."
Public-domain text, read in full here on John Shaqi.
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