Dane Peignton was a comparatively new-comer to the neighbourhood; was in
fact only a bird of passage, being a temporary tenant of a small place a
few miles distant from the Court, during its owner's sojourn abroad.
Peignton had retired from the Army after a serious breakdown in health,
and being not overburdened with this world's goods, had been delighted
to accept from old friends the loan of a house for a couple of years,
the responsibility of superintending the up-keep of the estate being
taken as a _quid pro quo_ against rent. Being country-bred, he had
little difficulty in fitting into his new duties, and in envisaging the
future, felt that after Vernon's return, he would like nothing better
than to secure a land agency, live quietly in the country, and take up
country sports. Given a few congenial neighbours, and a library of
books, he would feel no hankerings for town.
An hour later Cassandra descended the great staircase, and made her way
to the drawing-room to await her guests. She had discarded her morning
dress, and moved by some subtle impulse of coquetry had decked herself
in a new creation, which was pleased to call itself a bridge gown. Even
she herself would have been puzzled to give an accurate explanation of
her own motives in so doing; so many elements entered, and intermingled.
Bernard had repulsed her,--let him see what manner of woman he had
repulsed! The remembrance of the girl, rich in youth and love, came
also as a spur to the woman to whom the years had brought disillusion.
Teresa Mallison had placed her on a pinnacle, and worshipped her as a
marvel of grace and beauty,--she wished to retain the girl's admiration,
wished for her own sake to feel conscious of looking her best. She
dressed for Bernard's benefit, for Teresa's, for her own; the only
person of whom she took no account was Dane Peignton himself. He stood
outside her life.
The great drawing-room with its white panelled walls looked somewhat
cold and austere, but round the log fire was a little haven of comfort,
where four Spanish leather screens formed a background for deeply
cushioned sofas. The firelight played on the rich colouring of the old
leather work, on the dainty equipments of the tea table; on Cassandra
herself in her rose-red draperies, on the face, that was so young and
vivid, on the eyes which were so tired.
Dane Peignton approaching from the further end of the room had a moment
to take in the details of the scene, before she saw him in her turn, and
the picture stayed in his mind.
Public-domain text, read in full here on John Shaqi.
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