England -- Social life and customs -- 19th century -- Fiction; Love stories; Oxford (England) -- Fiction; Young women -- Fiction
“Ah!—but if she has the keeping of you! Are you coming to tea with me
and my people? I have got a man in college to lend me his rooms. My
mother and sister will be up for two nights. Very inconsiderate of
them—with my schools coming on—but they would do it. Thursday?—before
the Eights? Won’t my mother be chaperon enough?”
“Certainly. But it only puts off the evil day.”
“When I must grovel to Mrs. Hooper?—if I am to see anything of you?
Splendid! You are trying to discipline me again—as you did at Cannes!”
In the semidarkness she could see the amusement in his eyes. Her own
feeling, in its mingled weakness and antagonism, was that of the
feebler wrestler just holding his ground, and fearing every moment to
be worsted by some unexpected trick of the game. She gave no signs of
it, however.
“I tried, and I succeeded!” she said, as she rose. “You found out that
rudeness to my friends didn’t answer! Shall we go and get some
lemonade? Wasn’t that why you brought me here? I think I see the tent.”
They walked on together. She seemed to see—exultantly—that she had both
angered and excited him.
“I am never rude,” he declared. “I am only honest! Only nobody, in this
mealy-mouthed world, allows you to be honest; to say and do exactly
what represents you. But I shall not be rude to anybody under your
wing. Promise me to come to tea, and I will appear to call on your aunt
and behave like any sucking dove.”
Constance considered it.
“Lady Laura must write to Aunt Ellen.”
“Of course. Any other commands?”
“Not at present.”
“Then let me offer some humble counsels in return. I beg you not to
make friends with that red-haired _poseur_ I saw you talking to in the
hall.”
“Mr. Radowitz!—the musician? I thought him delightful! He is coming to
play to me to-morrow.”
“Ah, I thought so!” said Falloden wrathfully. “He is an impossible
person. He wears a frilled shirt, scents himself, and recites his own
poems when he hasn’t been asked. And he curries favour—abominably—with
the dons. He is a smug—of the first water. There is a movement going on
in college to suppress him. I warn you I may not be able to keep out of
it.”
“He is an artist!” cried Constance. “You have only to look at him, to
talk to him, to see it. And artists are always persecuted by stupid
people. But you are not stupid!”
“Yes, I am, where _poseurs_ are concerned,” said Falloden coldly. “I
prefer to be. Never mind. We won’t excite ourselves. He is not worth
it. Perhaps he’ll improve—in time. But there is another man I warn you
against—Mr. Herbert Pryce.”
“A great friend of my cousins’,” said Constance mockingly.
“I know. He is always flirting with the eldest girl. It is a shame; for
he will never marry her. He wants money and position, and he is so
clever he will get them. He is not a gentleman, and he rarely tells the
truth. But he is sure to make up to you. I thought I had better tell
you beforehand.”
“My best thanks! You breathe charity!”
Public-domain text, read in full here on John Shaqi.
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