England -- Social life and customs -- 19th century -- Fiction; Love stories; Oxford (England) -- Fiction; Young women -- Fiction
He stayed talking to her, however, a little while, seeing that
Constance Bledlow had gone indoors; and then he departed. Alice ran
upstairs, locked her door, and stood looking at herself in the glass.
She hated her dress, her hat, the way she had done her hair. The image
of Constance in her white silk hat with its drooping feathers, her
delicately embroidered dress and the necklace on her shapely throat,
tormented her. She was sick with envy—and with fear. For months she had
clung to the belief that Herbert Pryce would ask her to marry him. And
now all expectation of the magic words was beginning to fade from her
mind. In one short week, as it seemed to her, she had been utterly
eclipsed and thrown aside. Bob Vernon too, whose fancy for her, as
shown in various winter dances, had made her immensely proud, he being
then in that momentary limelight which flashes on the Blue, as he
passes over the Oxford scene—Vernon had scarcely had a word for her.
She never knew that he cared about pictures! And there was
Connie—knowing everything about pictures!—able to talk about
everything! As she had listened to Connie’s talk, she had felt fairly
bewildered. Of course it was no credit to Connie to be able to rattle
off all those names and things. It was because she had lived in Italy.
And no doubt a great deal of it was showing off.
All the same, poor miserable Alice felt a bitter envy of Connie’s
opportunities.
CHAPTER VI
“My brother will be here directly. He wants to show you his special
books,” said Miss Wenlock shyly.
The Master’s sister was a small and withered lady, who had been
something of a beauty, and was now the pink of gentle and middle-aged
decorum. She was one of those women it is so easy to ignore till you
live with them. Then you perceive that in their relations to their own
world, the world they make and govern, they are of the stuff which
holds a country together, without which a country can not exist. She
might have come out of a Dutch picture—a Terburg or a Metsu—so
exquisite was she in every detail—her small, white head, her regular
features, the lace coif tied under her chin, the ruffles at her wrist,
the black brocade gown, which never altered in its fashion and which
she herself cut out, year after year, for her maid to make,—the
chatelaine of old Normandy silver, given her by her brother years
before, which hung at her waist.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account