Lady Good-for-Nothing: A Man's Portrait of a Woman — John Shaqi
Lady Good-for-Nothing: A Man's Portrait of a WomanQuiller-Couch, Arthur
General
Lady Good-for-Nothing: A Man's Portrait of a Woman
Quiller-Couch, Arthur
Historical fiction
The first booth displayed sweetmeats; the next hung out lines of
sailors' smocks, petticoats, sea-boots, oilskin coats and caps, that
swayed according to their weight; the third was no booth but a wooden
store, wherein a druggist dispensed his wares; the fourth, also of wood,
belonged to a barber, and was capable of seating one customer at a time
while the others waited their turn on the side-walk. Here--his shanty
having no front--the barber kept them in good humour by chatting to all
and sundry while he shaved; but a part of the crowd had good-naturedly
drifted on to help his neighbour, a tobacco-seller, whose stall had
suffered disaster. A painted wooden statue of a Cherokee Indian lay
face downward across the walk, as the wind had blown it: bellying folds
of canvas and tarpaulin hid the wreck of the poor man's stock-in-trade.
Beyond this wreckage stood, in order, a vegetable stall, another
sweetmeat stall, and a booth in which the boy (who cared little for
sweetmeats, and, moreover, had just eaten his macaroon) took much more
interest. For it was hung about with cages; and in the cages were birds
of all kinds (but the most of them canaries), perched in the dull light
of two horn lanterns, and asleep with open, shining eyes; and in the
midst stood the proprietor, blowing delightful liquid notes upon a
bird-call.
It fascinated Dicky; and he no sooner assured himself that the birds
were really for sale--although no purchaser stepped forward--than there
came upon him an overmastering desire to own a live canary in a cage and
teach it with just such a whistle. (He had often wondered at the things
upon which grown-up folk spent their money to the neglect of this
world's true delights.) Edging his way to the stall, he was summoning up
courage to ask the price of a bird, when the salesman caught sight him
and affably spared him the trouble.
"Eh! here's my young lord wants a bird. . . . You may say what you
like," said he, addressing the bystanders, "but there's none like the
gentry for encouragin' trade. . . . And which shall it be sir? Here's a
green parrot, now, I can recommend; or if your Honour prefers a bird
that'll talk, this grey one. A beauty, see! And not a bad word in his
repertory. Your honoured father shall not blame me for sellin' you a
swearer."
The boy pointed to a cage on the man's right.
"A canary? . . . Well, and you're right. What is talk, after all, to
compare with music? And chosen the best bird of my stock, you have; the
pick of the whole crop. That's Quality, my friends; nothing but the
best'll do for Quality, an' the instinct of it comes out young."
The man, who was evidently an eccentric, ran his eye roguishly over the
faces behind the boy and named his price; a high one--a very high one--
but one nicely calculated to lie on the right side of public
reprobation.
Dicky laid his guinea on the sill. "I want a whistle, too," he said,
"and my change, please."
The bird-fancier slapped his breeches pockets.
Public-domain text, read in full here on John Shaqi.
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