Lady Good-for-Nothing: A Man's Portrait of a WomanQuiller-Couch, Arthur
General
Lady Good-for-Nothing: A Man's Portrait of a Woman
Quiller-Couch, Arthur
Historical fiction
"Yes." The girl's hand moved as if gathering the plaid closer over her
bosom. Her voice held no resentment. Her eyes were fixed upon the
coin, which, however, she made no further motion to touch; and this
downward glance showed at its best the lovely droop of her long
eyelashes.
The Collector continued to take stock of her, and with a growing wonder.
The lower half of the face's oval was perhaps Unduly gaunt and a trifle
overweighted by the broad brow. The whole body stood a thought too high
for its breadth, with a hint of coltishness in the thin arms and thick
elbow-joints. So judged the Collector, as he would have appraised a
slave or any young female animal; while as a connoisseur he knew that
these were faults pointing towards ultimate perfection, and at this
stage even necessary to it.
For assurance he asked her, "How old are you?"
"Sixteen."
"That's as I guessed," said he, and added to himself, "My God, this is
going to be one of the loveliest things in creation!" Still, as she
bent her eyes to the coin on the table, he ran his appraising glance
over her neck and shoulders, judging--so far as the ugly shawl
permitted--the head's poise, the set of the coral ear, the delicate wave
of hair on the neck's nape.
"Why is she turning you out?"
"A window curtain took fire. She said it was my fault."
"But it was not your fault at all!" cried Dicky. "Papa, the curtain
took fire in my room, and she beat it out. The whole house might have
been burnt down but for her. She beat it out, and made nothing of it,
though it hurt her horribly. Look at her hands, papa!"
"Hold out your hands," his father commanded.
She stretched them out. The ointment, as she turned them palms upward,
shone under the candle rays.
"Turn them the other way," he commanded, after a long look at them.
The words might mean that the sight afflicted him, but his tone scarcely
suggested this. She turned her hands, and he scrutinised the backs of
them very deliberately. "It's a shame," said he at length.
"Of course it's a shame!" the boy agreed hotly. "Papa, won't you ring
for the landlady and tell her so, and then she won't be sent away."
"My dear Dicky," his father answered, "you mistake. I was thinking that
it was a shame to coarsen such hands with housework." He eyed the girl
again, and she met him with a straight face--flushed a little and
plainly perturbed, but not shrinking, although her bosom heaved--for his
admiration was entirely cool and critical. "What is your name?" he
asked.
"Ruth Josselin."
Public-domain text, read in full here on John Shaqi.
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