Lady Good-for-Nothing: A Man's Portrait of a WomanQuiller-Couch, Arthur
General
Lady Good-for-Nothing: A Man's Portrait of a Woman
Quiller-Couch, Arthur
Historical fiction
Men have done, in the name of religion and not so long ago--indeed are
perhaps doing now and daily--deeds so vile that mere decency cannot face
describing them. It is a question if mere decency (by which I mean the
good instinct of civilised man) will not in the end purge faith clean of
religion; if, while men dispute and hate and inflict cruelty for
religion, they are not all the while outgrowing it. Libraries, for
example, are written to prove that unbaptized infants come out of
darkness to draw a fleeting breath or two and pass to hell-fire; the
dispute occupies men for generations--and lo! one day the world finds it
has no use for any such question. Time--no thanks to the theologians--
has educated it, and this thing at any rate it would no longer believe
if it could, as it certainly cannot. Faith never yet has burnt man or
woman at the stake. Religion has burnt its tens of thousands.
Behind the first two or three ranks of the mob--an exultant mob of grown
men, grown women, and (worst of all) little children--plodded a grey
horse, drawing a cart. Behind the cart, bound to it, with a thong tight
about her fire-scorched wrists--But no; it is not to be written.
They had stripped her to the waist, and then for decency--_their_
decency!--had thrown a jacket of coarse sacking over her, lacing it
loosely in front with pack-thread. But, because their work required it,
this garment had been gathered up into a rope at the neck, whence it
dangled in folds over her young breast.
She walked with wide eyes, uttering no sound. She alone of that crowd
uttered no sound. A brute with a bandaged jaw walked close behind her.
Oliver Vyell saw his forearm swing up--saw the scourge whirl in his
fist--met the girl's eyes. . . . She, meeting his, let escape the
first and last cry she uttered that day. He could have sworn that
her face was scarlet; but no, he was wrong; while he looked he saw
his mistake-she was white as death. Then with that one pitiful cry
she sank among the close-pressing crowd; but her hands, by the cord's
constraint, still lifted themselves as might a drowning swimmer's;
and the grey horse--the one other innocent creature in that
procession--plodded forward, dragging her now senseless body at the
cart's tail.
"You swine!"
It does a man good sometimes to get in his blow. It did Oliver Vyell
good, riding in, to slash twice crosswise on the brute's bandaged face;
to feel the whalebone bite and then, as he swung out of saddle, to ram
fist and whip-butt together on the ugly mouth, driving in its
fore-teeth.
"Stop the horse, some one!" he commanded, as the Beadle reeled back.
"She has fainted." He added, "The first man that interferes, I shoot."
Public-domain text, read in full here on John Shaqi.
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