Lady Good-for-Nothing: A Man's Portrait of a Woman — John Shaqi
Lady Good-for-Nothing: A Man's Portrait of a WomanQuiller-Couch, Arthur
General
Lady Good-for-Nothing: A Man's Portrait of a Woman
Quiller-Couch, Arthur
Historical fiction
The coach rolled so smoothly, and the jingle of harness was so entirely
swallowed in the roar of the sea, that Captain Vyell, pushing ahead and
overtaking the old fellow, had to ride close up to his shoulder and
shout. It appeared then, for further explanation, that his hearing as
well as his eyesight was none of the best. He faced about in a puzzled
fashion, stared, and touched his hat--or rather lifted his hand a little
way and dropped it again.
"Your Honour will be the Collector," he said, and nodded many times, at
first as if proud of his sagacity, but afterwards dully--as though his
interest had died out and he would have ceased nodding but had forgotten
the way. "Yes; my gran'-darter told me. She's in service at the
Bowling Green, Port Nassau; but walks over on Lord's Days to cheer up
her mother and tell the news. They've been expectin' you at Port Nassau
any time this week."
The Collector asked where he lived, and the old man pointed to a gully
in the cliff and to something which, wedged in the gully, might at a
first glance be taken for a large and loosely-constructed bird's nest.
The Collector's keen eyes made it out to be a shanty of timber roofed
with shingles and barely overtopping a wood pile.
"Wreckwood, eh?"
"A good amount of it ought to be comin' in, after the gale."
"Then where's your hook?"--for the wreckwood gatherers along this part
of the coast carry long gaffs to hook the flotsam and drag it above
reach of the waves.
"Left it up the bank," said the old man shortly. After a moment he
pulled himself together for an explanation, hollowed his palms around
his mouth, and bawled above the boom of the surf. "I'm old. I don't
carry weight more'n I need to. When a log comes in, my darter spies it
an' tells me. She's mons'rous quick-sighted for wood an' such like--
though good for nothin' else." (A pause.) "No, I'm hard on her; she
can cook clams."
"You were looking for clams?" Captain Vyell scrutinised the man's face.
It was a patriarchal face, strikingly handsome and not much wrinkled;
the skin delicately tanned and extraordinarily transparent.
Somehow this transparency puzzled him. "Hungry?" he asked quickly; and
as quickly added, "Starving for food, that's what you are."
"It's the Lord's will," answered the old man.
The coach had come to a halt a dozen paces away. The child within it
could hear nothing of this conversation; but to the end of his life his
memory kept vivid the scene and the two figures in it--his father, in
close-fitting riding-coat of blue, with body braced, leaning sideways a
little against the wind, and a characteristic hint of the cavalryman
about the slope of the thigh; the old wreck-picker standing just forward
of the bay's shoulder and looking up, with blown hair and patient eyes.
Memory recalled even the long slant of the bay's shoulder--a perfectly
true detail, for the horse was of pure English race and bred by the
Collector himself.
Public-domain text, read in full here on John Shaqi.
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