Lady Good-for-Nothing: A Man's Portrait of a WomanQuiller-Couch, Arthur
General
Lady Good-for-Nothing: A Man's Portrait of a Woman
Quiller-Couch, Arthur
Historical fiction
It was by mere beauty, too, that she dazzled, helped by no jewels but
the one plain rope of pearls at her throat. She stood there holding
herself erect, but not stiffly, with chin slightly lifted; not in
scorn, nor yet in defiance, though you were no sooner satisfied of this
than a tiniest curve of the nostril set you doubting. But no; she was
neither scornful nor defiant--alert rather, as a fair animal quivering
with life, confronting some new experience that for the moment it fails
to read. Or--borrowing her morning's simile, to convert it--you might
liken her to huntress-maiden Diana, surprised upon arrested foot;
instep arched, nostril quivering to the unfamiliar, eyes travelling in
sudden speculation over a group of satyrs in a glade. For a certainty
that poise of the chin emphasised the head's perfect carriage; as did
the fashion of her head-tire, too--the hair drawn straight above the
brows and piled superbly, to break and escape in two careless
love-locks on the nape of the neck--in the ripple of each a smile,
correcting the goddess to the woman. The right arm hung almost straight
at her side, the hand ready to gather a fold of the white brocaded
skirt; the left slanted up to her bosom, where its finger-tips touched
the stem of a white rose in the lace at the parting of the bodice. . . .
So she stood--for ten seconds maybe--under the droop of the heavy
curtain Manasseh held aside for her. The hush of the room was homage to
her beauty. Her gaze, passing between the lines of his guests, sought
the Collector. It was fearless, but held a hint of expectancy. Perhaps
she waited for him to leave his place and come forward to receive her.
But he made no motion to do this; not being, in fact, sufficient master
of his legs.
"Good-evening, my lord!" She swept him a curtsy. "You sent for me?"
Before he could answer, she had lowered her eyes. They rested on a
chair that happened to stand empty beside Batty Langton, and a slight
inclination of the head gave Langton to understand that she wished him
to offer it. He did so, and she moved to it. The men, embarrassed for
a moment by their host's silence--they had expected him to answer her,
but he stood staring angrily as one rebuffed--followed her cue and
reseated themselves. He, too, dropped back in his chair, leaned forward
for the decanter, and poured himself more wine. The buzz of talk
revived, at first a word or two here and there, tentative after the
check, then more confidently. Within a minute the voices were babel
again.
Batty Langton pondered. A baronet should not be addressed as "my lord,"
and she had been guilty of a solecism. At the same time her manner had
been perfect; her carriage admirably self-possessed. Her choice of a
seat, too, at the end of the table and furthest from Sir Oliver--if she
had come unwillingly--had been wittily taken, and on the moment, and
with the appearance of deliberate ease.
Public-domain text, read in full here on John Shaqi.
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