Lady Patricia: A comedy in three acts — John Shaqi
Lady Patricia: A comedy in three actsBesier, Rudolf
General
Lady Patricia: A comedy in three acts
Besier, Rudolf
English drama (Comedy)
LADY PATRICIA.
I—I’m all right now....
(_A pause. The nightingale starts singing._)
DEAN.
(_To CLARE._) I think it is high time to go.... Did you see whether the
carriage had arrived?
CLARE.
Yes, it’s there.
MRS. O’FARREL.
Come, Bill, we must be getting home.
DEAN.
(_Solemnly._) I have several weighty additions to make to my sermon
to-morrow—additions which certain events to-night have suggested. I
trust you will all be at the Cathedral for morning service. (_An awkward
silence. The DEAN waves his hand towards the central ladder._) Mrs.
O’Farrel.... (_MRS. O’FARREL passes and descends._) Clare.... (_CLARE
passes him and descends. He says with impressive unconcern_:) The
nightingale sings most divinely to-night!
(_He goes out, BILL following him with a hang-dog air.
BALDWIN enters on the left just as LADY PATRICIA and
MICHAEL move to the central ladder._)
BALDWIN.
If you please, sir....
MICHAEL.
What is it, Baldwin? What is it?
BALDWIN.
If you please, sir, will you be using them lanterns agin to-night?
MICHAEL.
No.
BALDWIN.
Then I ’ad better take ’em down, sir?
MICHAEL.
Yes, take them down. (_To LADY PATRICIA._) Come, dear.
(_BALDWIN starts fiddling about with the strings of the
lanterns._)
LADY PATRICIA.
(_Wearily._) Yes, darling.
BALDWIN.
(_Lowering the first lamp._) Whoa!...
LADY PATRICIA.
(_Speaking in a passionate whisper._) Will you love me, Michael,
always—always—and no matter what may happen?
MICHAEL.
(_Taking her hands._) I? How can you ask? But you—could you still love me
if—if——
LADY PATRICIA.
If——?
MICHAEL.
If I were unworthy?
LADY PATRICIA.
You!
(_They descend the central ladder._)
BALDWIN.
(_Lowering the second lantern._) Whoa!... (_He blows out the candle and
folds the lamp up. Then he goes leisurely for the next lantern and lowers
it._) Whoa!... (_He blows it out, folds it up and goes for the next
lantern and the curtain descends while he is lowering it. When it rises
again, he says_:) Whoa!... (_And folds it up._)
(END OF THE SECOND ACT.)
THE THIRD ACT
SCENE:—_The Deanery garden. At the back is a wing of the Deanery,
red-bricked, Norman-arched, with mullioned windows and a heavy door
opening on to the lawn. On the right, three-quarters across the
background, the house ends, and an old machicholated wall begins, with a
great brass-studded double gateway in the middle of it, in the left side
of which is a wicket with grating. The door opens on the Deanery Close
and a view of the Cathedral in the distance. The garden is all lawn,
flower-bed, and old trees. From the great door, and running diagonally
across the stage and out to the left in front, is a stone-flagged path.
Another path from the house-door joins it about the centre of the stage.
On the lawn in the foreground stands a table spread for breakfast, with
two chairs beside it. It is a brilliant Sunday morning in June._
Public-domain text, read in full here on John Shaqi.
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