Lady Sybil's Choice: A Tale of the CrusadesHolt, Emily Sarah
History
Lady Sybil's Choice: A Tale of the Crusades
Holt, Emily Sarah
Crusades -- Fiction; Historical fiction
*CHAPTER I.*
_*GUY TAKES THE CROSS*_*.*
"But what are words, and what am I?
An infant crying in the night;
An infant crying for the light;
And with no language but a cry."
—TENNYSON.
Alix says I am a simpleton. I don’t think it is particularly pleasant.
Sometimes she says I am a perfect simpleton: and I cannot say that I
like that any better. Nor do I think that it is very civil in one’s
sister to put her opinion on record in this certainly perspicuous, but
not at all complimentary manner. Still, I have heard her say it so many
times that I might almost have come to believe it, if she did not say so
of anybody but me. But when—as she did this morning—she says Guy is a
simpleton, that I cannot stand with any patience. Because there is
nobody like Guy in all the world. He is the best, kindest, dearest
brother that ever a girl had or could have. And it is a shame of Alix
to say such things. I am sure of it.[#]
[#] The brothers in this family are historical persons; the sisters
fictitious.
I do not know how it is, but Alix seems vexed that I should like Guy
best of all my brothers. She says I ought to make companions of Amaury
and Raoul, who are nearer me in age. But is that any reason for liking
people? At that rate, I ought to love Alix least of all, because she is
furthest off. And—though I should not like her to know that I said so—I
am not at all sure that I don’t.
Being like you in character, it seems to me, is a much better reason for
choosing companions, than being near you in age. And I think Guy is
much more like me than Amaury or Raoul either. They don’t care for the
same things that I do, and Guy does. Now, how can you like a man’s
company when you can never agree with him?
Alix says my tastes—and, of course, Guy’s—are very silly. I believe she
thinks there is no sense in anything but spinning and cooking and
needlework. But I think Amaury and Raoul are quite as foolish as we are.
Amaury admires everything that shines and glitters, and he is not at all
particular whether it is gold or brass. I believe, this minute, he
knows more about samite, and damask, and velvet, than I do. You would
think the world was coming to an end by the wail he sets up if his cap
has a feather less than he intended, or the border of his tunic is done
in green instead of yellow. Is that like being a man? Guillot says
Amaury should have been a woman, but I think he should have stayed a
baby. Then Raoul cares for things that bang and clash. In his eyes,
everybody ought to be a soldier, and no tale is worth hearing if it be
not about a tournament or the taking of a city.
Public-domain text, read in full here on John Shaqi.
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