England -- Social life and customs -- Fiction; Villages -- Fiction
Jim put his books before Osborne, who grinned at the sight. It was
intended for a smile, but it was a poor version of a smile. ‘Oh, yes,’
he said, ‘Browning, the “Ride to Aix.” Isn’t it just a little hackneyed?
Oh, no, not the poem itself. I don’t mean that: but everybody does it.
What’s the other? Ingoldsby. O--oh. I don’t know, if you ask me my
opinion, that I care so very much for Ingoldsby, myself.’
‘Perhaps not,’ said Jim, who for this once was wiser than his leader,
‘but _they_ do, you know. He’s always the most popular of all.’
‘Eh--oh--ah,’ said Mr. Osborne, putting his head on one side as though
to see in that way the virtues which were visible to the people in
general. ‘Now, I should have thought,’ he said, ‘that this sort of stuff
was too--too conventional, too fictitious, in the wrong sense of the
word, to please these sort of rough intelligences; that they would like
something more--more straightforward, don’t you know.’
‘Like the “Ride to Aix”? But then they’re awfully anxious to know,’ said
Jim, ‘what it was for, what the news was, and when it was, and all that;
and I’ve never found yet any one that knew.’
Mr. Osborne discreetly turned that question aside, for on this point he
had no more information than other people. ‘Suppose you read it and let
me hear,’ he said. It was very good-humoured and kind of him. He
expected nothing, if truth must be told, and he was really very full of
occupation and had a great many things to do. But Jim, as it turned out,
did not read badly at all. And there came a note of emotion in his voice
as the gallop rang on; that sort of sympathy with the excitement of the
strain, and climbing passion in the throat, which only a few readers are
moved by. The curate listened in amaze while this high note of poetic
sympathy thrilled through the lines, which Jim read with a pause or two
and strain of breath to overcome himself. He could not understand what
it meant to feel thus, and yet to drift into the parlour of the ‘Blue
Boar’; to tremble and flush with the poetry, and then listen to
Slaughter and White maundering about politics, or sit with the
schoolmistress. There came over the curate for the first time in a great
many years a sense of humility, a sudden conviction that there were more
things in heaven and earth than were dreamt of in his philosophy.
‘By Jove,’ said Jim, ‘I got through it pretty well this time. The worst
is my voice always breaks at that line: “And into the square Roland
staggered and stood.” One gets wound up so, don’t you know. After that I
can always manage the rest.’
‘Give me the book,’ said Osborne; and he, too, read the last verses, but
his voice did not break at all, the water did not come into his eyes. He
read it all as if it were one of his own sermons. Decidedly there were
things in heaven and earth--perhaps he acknowledged it a little
grudgingly: ‘Evidently, Plowden, you have the knack of it much better
than I.’
Public-domain text, read in full here on John Shaqi.
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