England -- Social life and customs -- Fiction; Villages -- Fiction
‘You are disappointed in me,’ said Mrs. Brown. ‘You think I am not a
lady, or obliged to get my living--and you think you had better say no
more about it. You are quite right, for I should not have done it
whatever you had said to me. I have a great curiosity, however, I
confess, to know what it was to be.’
‘Please!’ said Mab, ‘of course I know you are a lady, but it is all
different; they thought you might have done--Lady Macbeth--or something.
But all that doesn’t matter now.’
‘Lady Macbeth--or something. What other thing did their wisdom think
could go beside Lady Macbeth? No, my dear Miss Pakenham, I will not do
Lady Macbeth--or anything. Tell the ladies I make my courtesy down to
the ground,’ she did so as she spoke with the greatest gravity, while
Mab followed her every movement fascinated, ‘for their kindness and for
their thought that I was good enough to exhibit myself among them. You
know now that I am not good enough. I am not a decayed gentlewoman that
has known better days; but don’t hesitate on my account to clear your
bosom of that perilous stuff. Tell it out, my dear, run home and tell it
all to my lady, your mamma.’
She stopped short suddenly, but as if she would have said a great deal
more. Mab seemed to stop short, too, in the hot tide of her interest as
the schoolmistress paused. It was as if some swift career and progress
of horse or man had been drawn up and cut short in their midst. Mab’s
breath, which she had held in the great fever of her interest, burst
from her with a kind of gasp. She seemed to herself to have been stopped
short on the edge of some precipice.
‘Did you know,’ she said, hesitating, and thinking over every word,
‘my--mother--_too_?’
Mrs. Brown apparently did not expect this question. She stared at her
for a moment, and then burst into an uneasy laugh and turned away.
‘Sarah, Sarah,’ she cried, clapping her hands, ‘it is almost time for
school; come and clear these things away.’
XLI
Public-domain text, read in full here on John Shaqi.
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