Lake country sketchesRawnsley, H. D. (Hardwicke Drummond)
General
Lake country sketches
Rawnsley, H. D. (Hardwicke Drummond)
Lake District (England); Wordsworth, William, 1770-1850 -- Homes and haunts -- England -- Lake District
The second scene in that first act was one that went home to the
hearts of all, for if the Westmoreland folk love one thing more
dearly than another it is 'a sale.' The sale is really the
excitement of the winter time. I believe that if nobody was changing
farms they would compel someone in the neighbourhood to pretend that
he was, that a sale might be held. It is not the fierce excitement
of bidding one against the other that causes the great gathering at
the sale, but 'everybody's tied to go,' as they say--bound to go to
the sale, just as everybody is bound to go when they are bid to a
funeral. It would not be friendly not to do so, and high, low, rich
and poor, one with another, meet at the sales, as De Quincey has
reminded us, to see {77} one another and to hear how the world is
stirring.
The Grasmere Players in this sale scene were all of the manner born,
and a young mason played the part of 'Tom Mashiter' (auctioneer) with
great delight to himself and to his audience.
'Here's t' fadther and muther and t' dowter he cried, as he put three
teapots together. 2s. 6d. for the lot just to get us into the
bidding! Here's a pair of copper scales; see how true they hang!
Now I durst bet there's not above half a dozen among us as honest as
them is. There's not, howiver; and I know who's yan o' the
half-dozen; ye can settle the other five amang you. Three an' six.
Three an nine. Come, be quick. Nay, I'll not wait. I'll tak some
on ye in, ye'll see, if ye don't bid quicker----'
And the scales were knocked down 'mid roars of laughter.
'Here's another good jar, yan o' t' auld fashion, wid a pair o' good
lugs to hod by. A penny for it I have bid; who'll say tuppence?
Tuppence for you, Sarah. It's a real good un, yan o' t' rare
auld-fashioned mak, like me an you, Sarah. I think there's nobbut us
two left o' the auld lang-eared breed.'
{78}
Then there were quilts sold with a deal of very amusing talk to make
them go off. One was in rags and tatters, but the auctioneer
suggested that it might do for a sick horse or a sick cow. I was
listening with great amusement, and I heard an old fellow beside me
say, 'Well, but things is goin' ower cheap,' and in another moment
jerked out, 'A penny--here,' and was not a little astonished that his
bid was not taken. I only mention this to show you how to the life
the whole thing was done, and with what deep interest the spectators
gazed upon the play.
In the second act the plot thickens, and the interest centres in the
two chief actors of the little play--Aaron Hartley, with his
apparently rejected addresses to the statesman's daughter up at
Hardcragg Farm, and Betty Braithwaite. Aaron comes into his mother's
kitchen, and, as far as any Westmoreland man dare let himself go,
allows her to see that things are all up between himself and Betty.
He must go off to 'Lunnon,' for he cannot face living on in the dale
now, and all the hay grass but one meadow has been got in.
Public-domain text, read in full here on John Shaqi.
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