Lake country sketchesRawnsley, H. D. (Hardwicke Drummond)
General
Lake country sketches
Rawnsley, H. D. (Hardwicke Drummond)
Lake District (England); Wordsworth, William, 1770-1850 -- Homes and haunts -- England -- Lake District
During the acting it was quite plain that the actors themselves were
as much interested as those who witnessed the play. 'I was fairly
shamed of myself,' I heard one saying, 'to meet with ye when I came
off the last time, for the tears on my face, but if you had given me
a five pound note I could not have helped it.' Ah, thought I, that
was the secret of {85} your acting so well. Now and again an actor
in undress would pass down the room to have a look at the others as
they performed their parts, and to report. They would come back with
much encouragement to their fellow-players with such words as these:
'Eh, but it's a grand company now, and walls is beginning to stream
now'; and in truth the heat of the room and the consequent vapour
bath was a thing not to be easily forgotten. But if it had been
twice as hot, and the hall had been twice as crammed, and the play
had been twice as long, one could still have sat with real pleasure
to see such perfect acting done with such simplicity and reality to
the life. One wished that Will Shakspere could have come along; how
he would have blessed these village folk for their truth and their
simplicity. And how good a thing, thought I, it is, that there
should be a dull time at the English Lakes, so that, without any
temptations to extravagance in scenery or setting of the plays--that
would inevitably come with a wider public,--these natural dale-folk
can delight their fellow-villagers, by dramatic talent as real as it
is remarkable.
{86}
JAMES CROPPER OF ELLERGREEN.
The pattern life of a public-spirited country gentleman closed, when
James Cropper of Ellergreen, with eye undimmed and natural force
unabated, entered rest.
Come of an old Viking stock,--for his name is found in the _Landnama
Bok of Iceland_,--he had inherited the best traditions of true
philanthropy from his grandfather, who, with Zachary Macaulay, had
worked for the emancipation of the slave. In him, too, ran something
of the spirit of good old Quaker blood. Whole-hearted Churchman as
he was, he loved as the Friends love, simplicity in form and
directness in religious expression. In earliest days he had cared
for social and industrial problems, and the sorrows of the labouring
poor entered into his heart. It was his good fortune to be able, by
becoming an employer of labour, in his paper mills at {87} Burneside,
to face these problems and to become, as he always wished to become,
the father rather than the master of his workmen.
Public-domain text, read in full here on John Shaqi.
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