“Tradunt autem Hebræi hanc fabulam quod Abraham in ignem missus sit
quia ignem adorare noluit.”—ST. HIERON. _in Quæst. in Genesim_.
Footnote vi:
Lalla Roûkh Divertissement, mêlé de Chants et de Danses, Berlin, 1822.
The work contains a series of coloured engravings, representing
groups, processions, &c. in different Oriental costumes.
Footnote vii:
Since this was written, another translation of Lalla Rookh into German
verse has been made by Theodor Oelckers (Leipzig, Tauchnitz, Jun.),
which has already passed through three editions.
------------------------------------------------------------------------
LALLA ROOKH
------------------------------------------------------------------------
In the eleventh year of the reign of Aurungzebe, Abdalla, King of the
Lesser Bucharia, a lineal descendant from the Great Zingis, having
abdicated the throne in favour of his son, set out on a pilgrimage to
the Shrine of the Prophet; and, passing into India through the
delightful valley of Cashmere, rested for a short time at Delhi on his
way. He was entertained by Aurungzebe in a style of magnificent
hospitality, worthy alike of the visitor and the host, and was
afterwards escorted with the same splendour to Surat, where he embarked
for Arabia.[1] During the stay of the Royal Pilgrim at Delhi, a marriage
was agreed upon between the Prince, his son, and the youngest daughter
of the emperor, LALLA ROOKH;[2]—a Princess described by the Poets of her
time as more beautiful than Leila,[3] Shirine,[4] Dewildé,[5] or any of
those heroines whose names and loves embellish the songs of Persia and
Hindostan. It was intended that the nuptials should be celebrated at
Cashmere; where the young King, as soon as the cares of empire would
permit, was to meet, for the first time, his lovely bride, and, after a
few months’ repose in that enchanting valley, conduct her over the snowy
hills into Bucharia.
The day of LALLA ROOKH’S departure from Delhi was as splendid as
sunshine and pageantry could make it. The bazaars and baths were all
covered with the richest tapestry; hundreds of gilded barges upon the
Jumna floated with their banners shining in the water; while through the
streets groups of beautiful children went strewing the most delicious
flowers around, as in that Persian festival called the Scattering of the
Roses;[6] till every part of the city was as fragrant as if a caravan of
musk from Khoten had passed through it. The Princess, having taken leave
of her kind father, who at parting hung a cornelian of Yemen round her
neck, on which was inscribed a verse from the Koran, and having sent a
considerable present to the Fakirs, who kept up the Perpetual Lamp in
her sister’s tomb, meekly ascended the palankeen prepared for her; and,
while Aurungzebe stood to take a last look from his balcony, the
procession moved slowly on the road to Lahore.
Public-domain text, read in full here on John Shaqi.
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