During the first days of their journey, LALLA ROOKH, who had passed all
her life within the shadow of the Royal Gardens of Delhi,[14] found
enough in the beauty of the scenery through which they passed to
interest her mind, and delight her imagination; and when at evening, or
in the heat of the day, they turned off from the high road to those
retired and romantic places which had been selected for her encampments,
sometimes on the banks of a small rivulet, as clear as the waters of the
Lake of Pearl;[15] sometimes under the sacred shade of a Banyan tree,
from which the view opened upon a glade covered with antelopes; and
often in those hidden, embowered spots, described by one from the Isles
of the West,[16] as “places of melancholy, delight, and safety, where
all the company around was wild peacocks and turtle-doves;”—she felt a
charm in these scenes, so lovely and so new to her, which, for a time,
made her indifferent to every other amusement. But LALLA ROOKH was
young, and the young love variety; nor could the conversation of her
Ladies and the great Chamberlain, FADLADEEN, (the only persons, of
course, admitted to her pavilion,) sufficiently enliven those many
vacant hours, which were devoted neither to the pillow nor the
palankeen. There was a little Persian slave who sung sweetly to the
Vina, and who, now and then, lulled the Princess to sleep with the
ancient ditties of her country, about the loves of Wamak and Ezra,[17]
the fair-haired Zal and his mistress Rodahver;[18] not forgetting the
combat of Rustam with the terrible White Demon.[19] At other times she
was amused by those graceful dancing-girls of Delhi, who had been
permitted by the Bramins of the Great Pagoda to attend her, much to the
horror of the good Mussulman FADLADEEN, who could see nothing graceful
or agreeable in idolaters, and to whom the very tinkling of their golden
anklets[20] was an abomination.
But these and many other diversions were repeated till they lost all
their charm, and the nights and noondays were beginning to move heavily,
when, at length, it was recollected that, among the attendants sent by
the bridegroom, was a young poet of Cashmere, much celebrated throughout
the valley for his manner of reciting the Stories of the East, on whom
his Royal Master had conferred the privilege of being admitted to the
pavilion of the Princess, that he might help to beguile the tediousness
of the journey by some of his most agreeable recitals. At the mention of
a poet, FADLADEEN elevated his critical eyebrows, and, having refreshed
his faculties with a dose of that delicious opium[21] which is distilled
from the black poppy of the Thebais, gave orders for the minstrel to be
forthwith introduced into the presence.
Public-domain text, read in full here on John Shaqi.
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