ORNAMENTAL TITLE-PAGE 167
[In part from the binding of a “Shah Namah,” in the East India
House Library.]
And sits alone in that high bower
Watching the still and shining deep. 169
“Oh! ever thus, from childhood’s hour,
I’ve seen my fondest hopes decay.” 181
“Here, maiden, look—weep—blush to see
All that thy sire abhors in me!” 185
Fiercely he broke away, nor stopp’d,
Nor look’d—but from the lattice dropp’d. 189
The morn hath risen clear and calm,
And o’er the Green Sea palely shines. 192
’Tis HAFED—name of fear, whose sound
Chills like the muttering of a charm! 197
His Chiefs stood round—each shining blade
Upon the broken altar laid. 205
“This very night his blood shall steep
These hands all over ere I sleep!” 211
And o’er the wide, tempestuous wave
Looks, with a shudder, to those towers. 216
And snatch’d her breathless from beneath
This wilderment of wreck and death. 222
Shuddering, she look’d around—there lay
A group of warriors in the sun. 227
“Tremble not, love, thy Gheber’s here!” 233
Ancient Persian Fire-Altar, &c. &c. 236
’Twas one of those ambrosial eves
A day of storm so often leaves. 238
Breathless she stands, with eyes cast down. 241
He felt it—deeply felt—and stood,
As if the tale had frozen his blood. 248
A signal, deep and dread as those
The storm-fiend at his rising blows. 254
As mute they pass’d before the flame
To light their torches as they pass’d. 256
They come—that plunge into the water
Gives signal for the work of slaughter. 263
“Now, Freedom’s God! I come to Thee.” 269
Where still she fix’d her dying gaze,—
And, gazing, sunk into the wave. 274
“Farewell—farewell to thee, ARABY’S daughter!” 277
THE LIGHT OF THE HARAM.
ORNAMENTAL TITLE-PAGE 283
[From porcelain and illuminated MSS.]
Or to see it by moonlight,—when mellowly shines
The light o’er its palaces, gardens, and shrines. 285
He saw, in the wreaths she would playfully snatch
From the hedges, a glory his crown could not match. 291
Such cloud it is that now hangs over
The heart of the Imperial Lover. 295
Public-domain text, read in full here on John Shaqi.
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