American fiction -- 20th century; Detective and mystery stories
It was Brady’s hoarse voice; and even I thrilled, it was done so
realistically. I, as the one most likely unknown to the pair, had been
selected to take their door. I rapped loudly and shouted the alarm.
Brady was on one side of me, Lanagan on the other. Wilson, Maloney, and
the chief on either side again in the dark hall, flattened to the wall,
guns drawn ready for the rush. The door opened six inches a startled,
wan face with lustrous blue eyes, shining vividly above deep circles of
black, looked into mine through the aperture. Possibly something in my
face, possibly native suspicion and fear, induced her to essay to slam
the door. I pushed my shoulder to the door and shoved, Brady at one
shoulder, Lanagan at the other. She gave back with one more wide-eyed
look that went over my shoulder and caught the grey-bearded chief,
known to her, huddled back for fear of that very thing.
There came one shrill scream: “Harry! The police!” and she had turned
and fled and we pushed in vain--the door was chained! One united crash
again, the fastenings gave just as the slight figure, quicker than a
swallow, had darted within the inner room and slammed the door shut in
our faces. A bolt shot to place as a bullet from within tore through
the panelling and clipped the rim of Brady’s hat, and that towering
figure bore back out of range and swung us in a mass with him. Two more
shots tore through and sprayed us with splinters. We flattened against
the wall.
“The jig is up, Short; you may as well come out.”
It was Leslie, calm as if he were delivering orders to his chauffeur.
A shot rewarded him, impinging perilously close to his shoulder. The
man within was dying with the convict’s last desperate ambition to take
a policeman with him. We dropped flat. There was a pause, while Brady
and Leslie counselled in whispers whether to risk a rush. The silence
became acute, punctuated now and then by whisperings from the inner
room.
It sounded as if she were pleading with him; his note of finality
could not be mistaken, although the words were not heard. Another
silence, and then to our straining ears, rising clearly above the din
and clamour of doors below stairs opening and shutting, of shoutings
and excited cries, came a trembling voice floating through the jagged
holes of the inner door--trembling with the strength or the ardour of a
determination rather than any dread or fear:
“Then, Harry, take me, too! Take me, too!”
“_No, Cecile, no!_”
There was silence again from within; and again that voice, now touched
with pleading still more earnest:
“It is only right, Harry dear; all that the world held I sacrificed for
you. If you don’t take me, I will follow you!”
Prolonged to acuteness became the silence again; the man’s voice,
hoarse, gasping, finally came:
“Pray, Cecile.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account