American fiction -- 20th century; Detective and mystery stories
“I have seen misers,” thought Lanagan, “but this is the real miser of
all fact and all fiction. I would know him in a million. Fellow I used
to see in my dreams when I was a youngster. Pneumonia sure. About six
hours for him and then six feet.”
Thus lightly diagnosing and disposing of the man and his case, Lanagan
motioned the citizen, who had meantime stopped, to go on with the call.
But the strange, gnomelike figure, flashing another look, a singular
blend of loathing, hate, fear, and timidity, upon the newspaper man,
started to hobble away. Lanagan dropped his hand on the man’s shoulder
to restrain him. But the harsh features turned a look so glowering
and repellent upon him that he withdrew the restraining hand. The
coughing had ceased. The little old man was still breathing sibilantly
and swiftly, rather like a panting dog or cat, which he suggested,
but by extraordinary effort of will had fought away the more violent
exhibition of his seizure. He commenced to shuffle down the street,
with one furtive, fearful, backward look that went on past Lanagan and
up Market Street.
“You need a hospital, man,” said Lanagan curtly, “and I’m going to
take you there. Wait.” He placed his hand again on the man’s shoulder.
But the manikin-like creature flung the hand viciously from him and
again flashed that strange look of blended hate, fear, and timidity
upon the newspaper man.
“Let be!” he grated. “Let be!”
A car clanged to the safety station. The grotesque figure, still
half-hunched over at the paroxysm from Lanagan’s Manila, started for it
and Lanagan made no further effort at detention. He climbed laboriously
to the platform, and Lanagan shrugged his shoulders.
“I certainly am not going to dry-nurse you, old man, but I ought to at
that. If I ever saw a man marked for death, you’re that man.”
Despite a long afternoon idled away beneath mine host Pastori’s shade
trees and the somnolent influence of cobwebbed Chianti, Lanagan found
his miser’s features constantly before him.
“He’s my miser, too,” he mused, in the vernacular of childhood. “I
shouldn’t have let him escape me after finding him.”
Returning late, Lanagan for once in his life went to his room without
his inevitable last call at police headquarters. Consequently he
was several hours late in the morning on the news of a very fine
police story when he awakened to find his miser--Thaddeus Miller of
Oakland--pictured on the front pages of all the morning papers. There
was no mistaking that face. It was his miser. He had been murdered
in his cabin, a clumsy attempt having been made to fire the cabin to
destroy the crime and its evidence.
Public-domain text, read in full here on John Shaqi.
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