Lancashire (England) -- Social life and customs -- Fiction
There stood Amanda's chair, the chair of her girlhood, the chair
in which she had sung through the long winter nights, in which her
deft fingers had wrought needlework, the envy of Rehoboth. The old
arms mutely opened as though to welcome her; the rockers, too,
seemed ready to yield that oscillation so seductive to the jaded
frame. And the trimmings! and the cushion! the same old pattern,
somewhat faded, perhaps, but as warm and cosy as in the days of
yore. It was the chair, too, at which she used to kneel, the chair
that had so often caught the warm breath from her lips as she had
whispered, 'Our Father, which art in heaven.' But had she not
forfeited her right to that chair? Of that throne of sanctity she
felt she was now no longer queen. And again, as her mother pressed
her to take her appointed place, she shook her head, her heart
steeled with pride and shame, the hardest of all bonds to break
when imprisoning a human soul.
The poor mother stood at bay--at cruel bay. She had used the
mightiest weapon upon which she could lay her hand, and it had
seemed to shiver in the conflict. But love's armoury is not easily
depleted, and love's spirit is quick to return to the charge.
There was still left to her the warmth of a bosom in which long
years before Amanda had gently stirred, and from which she had
drawn her first currents of life; and once more the mother clasped
her girl, and pressed her lips on the sin-stained face.
'Durnd kiss me, mother,' cried the affrighted girl, stepping back;
'durnd kiss me. Thaa munnot dirty thy lips wi' touchin' mine. If
thaa knew all, thaa'd spurn me more like.'
''Manda,' replied the woman, in the desperation of her love, 'I'll
kiss thee if thaa kills me for't. I connot help it; thaa'rt mine.'
'I wor once, I wor once, but nod now.'
'Yi! lass, but thaa art. Thaa wor mine afore th' devil geet howd
on thee, and thaa's bin mine all th' time he's bed thee, and now
he's done wi' thee, I mean to keep thee all to mysel.'
And afresh the mother bathed the still beautiful face of Amanda
with her tears.
But Amanda was firm. Old as her mother was, she knew that mother's
innocence, and shrank from the thought that one so pure, so
womanly, should hang on those lips so sorely blistered by the
breath of sin; and, once more stretching out her arm, she said:
'Durnd touch me, mother--durnd!'
''Manda,' cried the mother, defiantly and grandly, all the passion
of maternity rising in her heart, ''Manda, thaa cornd unmother me.
I carried thee and suckled thee and taught thee thi prayers in
that cheer, and doesn'd ta think as Him we co'd "Aar Faither" is
aar Faither still?'
'Happen He's yours, mother; but He's noan o' mine.'
'Well, 'Manda, if thaa'rt noan His child, thaa'rt mine, and naught
shall come 'tween me and thee.'
'And dun yo' mean to say that yo' love me as mich naa, mother, as
when aw wor a little un?' asked the girl, her steely eyes
moistening, and the firm line of her drawn mouth tremulous with
rising emotion.
Public-domain text, read in full here on John Shaqi.
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