Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
had he not himself told her that their life would be of the quietest,
and that they would mix with very few people?
No! if ever earnest, true, and unselfish love existed in the world, it
was now, she felt, bestowed upon her. What in the depths of her despair
she had faintly hoped for, had come to her with treble measure. Her
course lay plain and straight before her. It was not a very brilliant
course, but it was quiet and peaceful and safe. So away all thoughts of
the past! drop the curtain on the feverish excitement, the wild dream
of hectic pleasure! Shut it out; and with it the dead dull heartache,
the keen sense of wrong, the desperate struggle for bare life.
So Margaret dropped that curtain on her wedding-day, with the full
intention of never raising it again.
CHAPTER III.
ANNIE.
Lord Caterham's suggestion that Annie Maurice should cultivate her
drawing-talent was made after due reflection. He saw, with his usual
quickness of perception, that the girl's life was fretting away within
her; that the conventional round of duties which fell to her lot as his
mother's companion was discharged honestly enough, but without interest
or concern. He never knew why Lady Beauport wanted a companion. So long
as he had powers of judging character, he had never known her have
an intimate friend; and when, at the death of the old clergyman with
whom Annie had so long been domesticated, it was proposed to receive
her into the mansion at St. Barnabas Square, Lord Caterham had been
struck with astonishment, and could not possibly imagine what duties
she would be called upon to fulfil. He heard that the lady henceforth
to form a part of their establishment was young, and that mere fact
was in itself a cause for wonder. There was no youth there, and it
was a quality which was generally openly tabooed. Lady Beauport's
woman was about fifty, a thorough mistress of her art, an artist in
complexion before whom Madame Rachel might have bowed; a cunning and
skilled labourer in all matters appertaining to the hair; a person
whose anatomical knowledge exceeded that of many medical students, and
who produced effects undreamt of by the most daring sculptors. There
were no nephews or nieces to come on visits, to break up the usual
solemnity reigning throughout the house, with young voices and such
laughter as is only heard in youth, to tempt the old people into a
temporary forgetfulness of self, and into a remembrance of days when
they had hopes and fears and human interest in matters passing around
them. There were sons--yes! Caterham himself, who had never had one
youthful thought or one youthful aspiration, whose playmate had been
the physician, whose toys the wheelchair in which he sat and the irons
by which his wrecked frame was supported, who had been precocious at
six and a man at twelve; and Lionel--but though of the family, Lionel
was not of the house; he never used to enter it when he could make any
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account