Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
peculiar leer which had done frightful execution amongst the nursemaids
of Islington. Mrs. Abbott, a mild meek little woman, who practised
potichomanie, delcomanie the art of making wax-flowers, any thing
whereby to make money to pay the tradespeople and supply varnish for
her husband's boots and pocket-money for his _menus plaisirs_, was not,
it is needless to say, informed of these vagaries on the captain's part.
They were discussed every where: at the Ladies' Clothing-Club, where
one need scarcely say that the opinions concerning Margaret's beauty
were a little less fervid in expression; and at the Gentlemen's
Book-Society, where a proposition to invite Geoff to be of their
number, started by the vicar and seconded by old Mr. Coverdale, was
opposed by Mr. Bryant (of Bryant and Martin, coach-builders, Long
Acre), On the ground that the first Of the rules stated that this
should be an association of gentlemen; and who could I say what would
be done next if artists was to be received? The discussion on this
point waxed very warm, and during it Mr. Cremer the curate incurred Mr.
Bryant's deepest hatred for calling out to him, on his again attempting
to address the meeting, "Spoke, spoke!" which Mr. Bryant looked upon
as a sneer at his trade, and remembered bitterly when the subscription
was got up in the parish for presenting Mr. Cremer with the silver
teapot and two hundred sovereigns, with which (the teapot at least)
he proceeded to the rectory of Steeple Bumstead, in a distant part of
the country. They were discussed by the regulars in the nine-o'clock
omnibus, most of whom, as they passed by Elm Lodge and saw Geoff
through the big window just commencing to set his palette, pitied him
for having to work at home, and rejoiced in their own freedom from the
possibility of conjugal inroad; or, catching a glimpse of Margaret,
poked each other in the ribs and told each other what a fine woman
she was. They were discussed by the schoolboys going to school, who
had a low opinion of art, and for the most part confined the remarks
about Geoffrey to his having a "stunnin' beard," and about Margaret
to her being a "regular carrots," the youthful taste being strongly
anti-pre-Raffaellitic, and worshipping the raven tresses and straight
noses so dear to the old romancers.
Public-domain text, read in full here on John Shaqi.
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