Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
And while all these discussions and speculations were rife, the persons
speculated on and discussed were leading their lives without a thought
of what people were saying of them. Geoff knew that he was doing good
work; he felt that intuitively as every man does feel it, quite as
intuitively as when he is producing rubbish; and he knew it further
from the not-too-laudatorily-inclined Mr. Stompff, who came up from
time to time, and could not refuse his commendation to the progress
of the pictures. And then Geoff was happy--at least, well, Margaret
might have been a little more lively perhaps; but then--O, no; he was
thoroughly happy! and Margaret--existed! The curtain had dropped on her
wedding-day, and she had been groping in darkness ever since.
Time went on, as he does to all of us, whatever our appreciation of
him may be, according to the mood we may happen to be in: swiftly to
the happy and the old, slowly to the young and the wearied. There is
that blessed compensation which pervades all human things, even in the
flight of time. No matter how pleasant, how varied, how completely
filled is the time of the young, it hangs on them somehow; they do
not feel it rush past them nor melt away, the hours swallowed up in
days, the days in years, as do the elder people, who have no special
excitement, no particular delight. The fact still remains that the
young want time to fly, the old want him to crawl; and that, fulfilling
the wishes of neither, he speeds on _aquo pale_, grumbled at by both.
Public-domain text, read in full here on John Shaqi.
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