Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Charley Potts had been "best man" at the marriage, and Geoffrey had
caught a glimpse of old Bowker in hiding behind a pillar of the church.
It was meet, then, that they--old companions of his former life--should
see him under his altered circumstances, should know and be received
by his wife, and should have the opportunity, if they wished for it,
of keeping up at least a portion of the _camaraderie_ of old days.
Therefore after his return to London, and when he and his wife were
settled down in Elm Lodge, Geoffrey wrote to each of his old friends,
and said how glad he would be to see them in his new house.
This note found Mr. Charles Potts intent upon a representation of
Mr. Tennyson's "Dora," sitting with the child in the cornfield, a
commission which he had received from Mr. Caniche, and which was to
be paid for by no less a sum than a hundred and fifty pounds. The
"Gil Bias" had proved a great success in the Academy, and had been
purchased by a country rector, who had won a hundred-pound prize in
the Art-Union; so that Charley was altogether in very high feather and
pecuniary triumph. He had not made much alteration in the style of his
living or in the furniture of his apartment; but he had cleared off a
long score for beer and grog standing against him in the books kept
by Caroline of signal fame; he had presented Caroline herself with a
cheap black-lace shawl, which had produced something like an effect at
Rosherville Gardens! and he had sent a ten-pound note to the old aunt
who had taken care of him after his mother's death, and who wept tears
of gratified joy on its receipt, and told all Sevenoaks of the talent
and the goodness of her nephew. He had paid off some other debts also,
and lent a pound or two here and there among his friends, and was even
after that a capitalist to the extent of having some twenty pounds in
the stomach of a china sailor, originally intended as a receptacle for
tobacco. His success had taken effect on Charley. He had begun to think
that there was really something in him, after all; that life was, as
the working-man observed, "not all beer and skittles;" and that if he
worked honestly on, he might yet be able to realise a vision which had
occasionally loomed through clouds of tobacco-smoke curling round his
head; a vision of a pleasant cottage out at Kilburn, or better still
at Cricklewood; with a bit of green lawn and a little conservatory,
and two or three healthy children tumbling about; while their mother,
uncommonly like Matilda Ludlow, looked on from the ivy-covered porch;
and their father, uncommonly like himself, was finishing in the studio
that great work which was to necessitate his election into the Academy.
This vision had a peculiar charm for him; he worked away like a horse;
the telegraphic signals to Caroline and the consequent supply of beer
became far less frequent; he began to eschew late nights, which he
found led to late mornings; and the "Dora" was growing under his hand
day by day.
Public-domain text, read in full here on John Shaqi.
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