Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"Look here!" said he; "a bargain's a bargain, ain't it? People say your
word's as good as your bond, and all that. Pickles! You drop down to
my office to-morrow, Ludlow, and there'll be an agreement for you to
sign--all straight and reg'lar, you know. And come and cut your mutton
with me and Mrs. S. at Velasquez Villa, Nottin' 'Ill, on Sunday, at
six. No sayin' no, because I won't hear it. We'll wet our connection in
a glass of Sham. And bring Charley with you, if his dress-coat ain't
up! You know, Charley! Tar, Tar!" And highly delighted with himself,
and with the full conviction that he had rendered himself thoroughly
delightful to his hearers, the great man waddled off his brougham.
Meanwhile the news of the purchase had spread through the rooms,
and men were hurrying up on all sides to congratulate Ludlow on his
success. The fortunate man seemed, however, a little dazed with his
triumph; he shook all the outstretched hands cordially, and said a few
commonplaces of thanks, intermingled with doubts as to whether he had
not been too well treated; but on the first convenient opportunity he
slipped away, and sliding a shilling into the palm of Flexor the model,
who, being by this time very drunk, had arranged his hair in a curl
on his forehead, and was sitting on the bench in the hall after his
famous rendering of George the Fourth of blessed memory, Geoff seized
his hat and coat and let himself out. The fresh night-air revived him
wonderfully, and he was about starting off at his usual headstrong
pace, when he heard a low dismal moan, and looking round, he saw a
female figure cowering in a doorway. The next instant he was kneeling
by her side.
CHAPTER III.
BLOTTED OUT.
Public-domain text, read in full here on John Shaqi.
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