Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
And Annie, what did she think of her new acquaintance? Whatever her
sentiments were, she kept them to herself, merely saying in answer
to questions that Mrs. Geoffrey Ludlow was the most beautiful woman
she had ever seen; that she could say with perfect truth and in all
sincerity; but as to the rest, she did not know--she could scarcely
make up her mind. During the first five minutes of their interview
she hated her, at least regarded her with that feeling which Annie
imagined was hate, but which was really only a mild dislike. There were
few women, Annie supposed, who could in cold blood, and without the
slightest provocation, have committed such an outrage as that taunt
about her position in Lady Beauport's household; but then again there
were few who would have so promptly though silently acknowledged the
fault and endeavoured to make reparation for it. How openly she spoke!
how bitterly she bemoaned the dulness of her life That did not argue
well for Geoffrey's happiness; but doubtless Mrs. Ludlow had reason
to feel dull, as have most brides taken from their home and friends,
and left to spend the day by themselves; but if she had really loved
her husband, she would have hesitated before thus complaining to a
stranger--would for his sake have either endeavoured to throw some
explanatory gloss over the subject, or remained silent about it. She
did not seem, so far as Annie saw, to have made any attempt to please
her husband, or indeed to care to do so. How different she was from
what Annie had expected! how different from all her previous experience
of young married women, who indeed generally "gushed" dreadfully, and
were painfully extravagant in their laudations of their husbands when
they were absent, and in their connubialities when they were present.
Geoffrey's large eloquent eyes had melted into tenderness as he looked
at her; but she had not returned the glance, had not interchanged with
him one term of endearment, one chance pressure of the hand. What did
it all mean? What was that past gaiety and excitement to which she
said she had been accustomed? What were her antecedents? In the whole
of her long talk with Annie, Margaret had spoken always of the future,
never of the past. It was of what she should do that she asked counsel;
never mentioning what she had done; never alluding to any person,
place, or circumstance connected with her existence previously to her
having become Geoffrey Ludlow's wife. What were her antecedents? Once
or twice during their talk she had used an odd word, a strange phrase,
which grated on Annie's ear; but her manner was that of a well-bred
gentlewoman; and in all the outward and visible signs of race, she
might have been the purest aristocrat.
Public-domain text, read in full here on John Shaqi.
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