Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Meantime her beauty was undeniable, was overwhelming. Such hair and
eyes Annie had dreamed of, but had never seen. She raved about them
until Caterham declared she must puzzle her brain to find some excuse
for his going to Elm Lodge to see this wonderful woman. She described
Margaret to Lady Beauport, who was good enough to express a desire to
see "the young person." She mentioned her to Algy Barford, who listened
and then said, "Nice! nice! Caterham, dear old boy! you and I will
take our slates and go up to--what's the name of the place?--to learn
drawing. Must learn on slates, dear boy. Don't you recollect the house
of our childhood with the singular perspective and an enormous amount
of smoke, like wool, coming out of the chimneys? Must have been a
brewery by the amount of smoke, by Jove! And the man in the cocked-hat,
with no stomach to speak of, and both his arms very thin with round
blobs at the end growing out of one side. Delicious reminiscences of
one's childhood, by Jove!"
And then Annie took to sketching after-memory portraits of Margaret,
first mere pencil outlines, then more elaborate shaded attempts and
finally a water-colour reminiscence, which was anything but bad. This
she showed to Lord Caterham, who was immensely pleased with it, and
who insisted that Barford should see it. So one morning when that
pleasantest of laughing philosophers was smoking his after-breakfast
cigar (at about noon) in Caterham's room, mooning about amongst the
nick-nacks, and trotting out his little scraps of news in his own odd
quaint fashion, Annie, who had heard from Stephens of his arrival, came
in, bringing the portrait with her.
"Enter, Miss Maurice!" said Algy; "always welcome, but more especially
welcome when she brings some delicious little novelty, such as I
see she now holds under her arm. What would the world be without
novelty?--Shakespeare. At least, if that delightful person did not make
that remark, it was simply because he forgot it; for it's just one of
those sort of things which he put so nicely. And what is Miss Maurice's
novelty?"
"O! it's no novelty at all, Mr. Barford. Only a sketch of Mrs. Geoffrey
Ludlow, of whom I spoke to you the other day. You recollect?"
"Recollect! the Muse of painting! Terps--Clio--no matter! a charming
person from whom we were to have instruction in drawing, and who lives
at some utterly unsearchable place! Of course I recollect! And you
have a sketch of her there? Now, my dear Miss Maurice, don't keep me
in suspense any longer, but let me look at it at once." But when the
sketch was unrolled and placed before him, it had the very singular
effect of reducing Algy Barford to a state of quietude. Beyond giving
one long whistle he never uttered a sound, but sat with parted lips and
uplifted eyebrows gazing at the picture for full five minutes. Then he
said, "This is like, of course, Miss Maurice?"
Public-domain text, read in full here on John Shaqi.
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