Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Lord Caterham had driven out once to Elm Lodge with Annie, and had been
introduced to Margaret, whom he admired very much, but about whom he
shook his head alarmingly when he and Annie were driving towards home.
"That's an unhappy woman!" he said; "an unhappy woman, with something
on her mind--something which she does not give way to and groan about,
but against which she frets and fights and struggles with as with a
chain. When she's not spoken to, when she's not supposed to be _en
evidence_ there's a strange, half-weary, half-savage gleam in those
wondrous eyes, such as I have noticed only once before, and then among
the patients of a lunatic asylum. There's evidently something strange
in the history of that marriage. Did you notice Ludlow's devotion to
her, how he watched her every movement? Did you see what hard work
it was for her to keep up with the conversation, not from want of
power,--for, from one or two things she said, I should imagine her to
be a naturally clever as well as an educated woman,--but from want of
will? How utterly worn and wearied and _distraite_ she looked, standing
by us in Ludlow's studio, while we talked about his pictures, and
how she only seemed to rouse into life when I compared that Brighton
Esplanade with the Drive in the Park, and talked about some of the
frequenters of each. She listened to all the fashionable nonsense as
eagerly as any country miss, and yet--She's a strange study, that
woman, Annie. I shall take an early opportunity of driving out to see
her again; but I'm glad that the distance will prevent her being very
intimate with you."
Public-domain text, read in full here on John Shaqi.
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