Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
The opportunity of repeating his visit did not, however, speedily
occur. The fierce neuralgic headaches from which Lord Caterham suffered
had become much more frequent of late, and worse in their effect. After
hours of actual torture, unable to raise his head or scarcely to lift
his eyes, he would fall into a state of prostration, which lasted two
or three days. In this state he would be dressed by his servant and
carried to his sofa, where he would lie with half-closed eyes dreaming
the time away,-comparatively happy in being free from pain, quite
happy if; as frequently happened, on looking up he saw Annie Maurice
moving noiselessly about the room dusting his books, arranging his
desk, bringing fresh flowers for his glasses. Looking round at him from
time to time, and finding he had noticed her presence, she would lay
her finger on her lip enjoining silence, and then refresh his burning
forehead and hands with eau-de-cologne, turn and smooth his pillows,
and wheel his sofa to a cooler position. On the second day after an
attack she would read to him for hours in her clear musical voice from
his favourite authors; or, if she found him able to bear it, would
sit down at the cabinet-piano, which he had bought expressly for her,
and sing to him the songs he loved so well--quiet English ballads,
sparkling little French _chansons_, and some of the most pathetic music
of the Italian operas; but every thing for his taste must be soft and
low: all roulades and execution, all the fireworks of music, he held in
utter detestation.
Then Annie would be called away to write notes for Lady Beauport, or
to go out with her or for her, and Caterham would be left alone again.
Pleasanter his thoughts now: there were the flowers she had gathered
and placed close by him, the books she had read from, the ivory keys
which her dear fingers had so recently touched! Her cheerful voice
still rung in his ear, the touch of her hand seemed yet to linger on
his forehead. O angel of light and almost of hope to this wretched
frame, O sole realisation of womanly love and tenderness and sweet
sympathy to this crushed spirit, wilt thou ever know it all? Yes, he
felt that there would come a time, and that without long delay, when he
should be able to tell her all the secret longings of his soul, to tell
her in a few short words, and then--ay, then!
Public-domain text, read in full here on John Shaqi.
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