Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"If a man's eyes are not open naturally, my dear, they must be opened
for him. I shall tell Geoffrey my opinion about his wife; and let him
know it in pretty plain terms, I can tell you!"
CHAPTER XIII.
MR. STOMPFF'S DOUBTS.
It is not to be supposed that because Geoffrey Ludlow's married life
offered no very striking points for criticism, it was left uncriticised
by his friends. Those, be they married or single, quiet or boisterous,
convivial or misanthropical, who do not receive discussion at the
hands of their acquaintance, are very few in number. There can be
nothing more charmingly delightful, nothing more characteristic of
this chivalrous age, than the manner in which friends speak of each
other behind, as the phrase goes, "each other's backs." To two sets
of people, having a third for common acquaintance, this pastime
affords almost inexpressible delight, more especially if the two
sets present have been made acquainted with each other through the
medium of the absent third. It is rather dangerous ground at first,
because neither of the two sets present can tell whether the other may
not have some absurd scruples as to the propriety of canvassing the
merits or demerits of their absent friend; but a little tact, a little
cautious dealing with the subject, a few advances made as tentatively
as those of the elephant on the timber bridge, soon show that the
discussion will not be merely endured, but will be heartily welcome;
and straightway it is plunged into with the deepest interest. How they
manage to keep that carriage,--that's what we've always wanted to know!
O, you've noticed it too. Well, is it rouge, or enamel, or what? That's
what Ive always said to George--how that poor man can go on slaving
and slaving as he does, and all the money going in finery for her, is
what I can't understand! What a compliment to our opinion of our powers
of character-reading to find all our notions indorsed by others, more
especially when those notions have been derogatory to those with whom
we have for some time been living on terms of intimacy! To be sure
there is another side to the medal, when we find that those who have
known our dear absents a much shorter time than we have, claim credit
for being far more sharp-sighted than we. They marked at once, they
say, all the shortcomings which we had taken so long to discover; and
they lead the chorus of depreciation, in which we only take inferior
parts.
Public-domain text, read in full here on John Shaqi.
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