Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
It was not often that Mr. Stompff busied himself with the domestic
concerns of the artists who formed his staff: It was generally quite
enough for him provided they "came up to time," as he called it, did
their work well, and did not want too much money in advance. But in
Geoffrey Ludlow Mr. Stompff took a special interest, regarding him as
a man out of whom, if properly worked, great profit and fame were to
be made. He had paid several visits to Elm Lodge, ostensibly for the
purpose of seeing how the Brighton-Esplanade picture was progressing;
but with this he combined the opportunity of inspecting the domestic
arrangements and noting whether they were such as were likely to "suit
his book." No man more readily understood the dispiriting influence of
a slattern wife or a disorderly home upon the work that was to be done.
"Ive seen 'em," he used to say, "chock-full of promise, and all go to
the bad just because of cold meat for dinner, or the house full of
steam on washing-days. They'd rush away, and go off--public-house or
any where--and then goodbye to my work and the money theyve had of me!
What I like best 's a regular expensive woman,--fond of her dress and
going about, and all that,--who makes a man stick to it to keep her
going. That's when you get the work out of a cove. So I'll just look-up
Ludlow, and see how he's goin' on."
He did "look-up" Ludlow several times; and his sharp eyes soon
discovered a great deal of which he did not approve, and which did not
seem likely to coincide with his notions of business. He had taken a
dislike to Margaret the first time he had seen her, and his dislike
increased on each subsequent visit. There was something about her which
he could scarcely explain to himself,--a "cold stand-offishness,"
he phrased it,--which he hated. Margaret thought Mr. Stompff simply
detestable, and spite of Geoff's half-hints, took no pains to disguise
her feelings. Not that she was ever demonstrative--it was her calm
quiet _insouciance_ that roused Mr. Stompff's wrath. "I can't tell what
to make of that woman," he would say; "she never gives Ludlow a word
of encouragement, but sits there yea-nay, by G--, lookin' as though
she didn't know he was grindin' his fingers off to earn money for her!
She don't seem to take any notice of what's goin' on; but sits moonin'
there, lookin' straight before her, and treatin'me and her husband
as if we was dirt! Who's she, I should like to know, to give herself
airs and graces like that? It was all very well when Ludlow wanted a
model for that Skyllar picture; but there's no occasion for a man to
marry his models, that Ive heard of--leastways it ain't generally done.
She don't seem to know that it's from me all the money comes, by the
way she treats me. She don't seem to think that that pretty house and
furniture, and all the nice things which she has, are paid for by my
money. She's never a decent word to say to me. Damme, I hate her!"
Public-domain text, read in full here on John Shaqi.
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