Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
And Mr. Stompff did not content himself by exploding in this manner.
He let off this safety-valve of self-communion to keep himself from
boiling over; but all the cause for his wrath still remained, and he
referred to it, mentally, not unfrequently. He knew that Geoffrey
Ludlow was one of his greatest cards; he knew that he had obtained a
certain mastery over him at a very cheap rate; but he also knew that
Ludlow was a man impressible to the highest degree, and that if he
were preoccupied or annoyed, say by domestic trouble for instance--and
there was nothing in a man of Geoffrey's temperament more destructive
to work than domestic trouble--he would be incapable of earning his
money properly. Why should there be domestic trouble at Elm Lodge?
Mr. Stompff had his ears wider open than most men, and had heard a
certain something which had been rumoured about at the time of Geoff's
marriage; but he had not paid much attention to it. There were many
_ateliers_ which he was in the habit of frequenting,--and the occupants
of which turned out capital pictures for him,--where he saw ladies
playing the hostess's part whose names had probably never appeared in a
marriage-register; but that was nothing to him. Most of them accepted
Mr. Stompff's compliments, and made themselves agreeable to the great
_entrepreneur_, and laughed at his coarse story and his full-flavoured
joke, and were only too delighted to get them, in conjunction with
his cheque. But this wife of Ludlow's was a woman of a totally
different stamp; and her treatment of him so worried Mr. Stompff that
he determined to find out more about her. Charley Potts was the most
intimate friend of Ludlow's available to Mr. Stompff, and to Charley
Potts Mr. Stompff determined to go.
It chanced that on the morning which the great picture-dealer had
selected to pay his visit, Mr. Bowker had strolled into Charley
Potts's rooms, and found their proprietor hard at work. Mr. Bowker's
object, though prompted by very different motives from those of Mr.
Stompff, was identically the same. Old William had heard some of those
irrepressible rumours which, originating no one knows how, gather
force and strength from circulation, and had come to talk to Mr. Potts
about them. "Dora in the Cornfield" had progressed so admirably since
Bowker's last visit, that after filling his pipe he stood motionless
before it, with the unlighted lucifer in his hand.
Public-domain text, read in full here on John Shaqi.
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