Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"Certainly," said Caterham. He had won the day; but his mother's manner
had no sign of defeat about it, no more than it had sign of softening.
She rose, and bade him goodmorning. He held her hand for a moment, and
his eyes followed her wistfully, as she went out of his room.
As she passed through the passage, just outside her son's door she saw
a stout keen-looking man sitting on the bench, who rose and bowed as
she passed.
When Stephens answered the bell, he found his master lying back,
bloodless and almost fainting. After he had administered the usual
restoratives, and when life seemed flowing back again, the valet said,
"Inspector Blackett, my lord, outside."
Lord Caterham made a sign with his hand, and the stout man entered.
"The usual story, Blackett, I suppose?"
"Sorry to say so, my lord. No news. Two of my men tried Maidstone again
yesterday, and Canterbury, thinking they were on the scent there; but
no signs of her."
"Very good, Blackett," said Caterham faintly; "don't give in yet."
Then, as the door closed behind the inspector, the poor sufferer looked
up heavenward and muttered, "O Lord, how long--how long?"
Book the Third.
CHAPTER I.
THE WHOLE TRUTH.
No one who knew Geoffrey Ludlow would have recognised him in the
round-shouldered man with the prone head, the earth-seeking eyes, the
hands plunged deeply in his pockets, plodding home on that day on which
he had determined that Margaret should give him an explanation of her
conduct towards him. Although Geoff had never been a roisterer, had
never enlisted in that army of artists whose members hear "the chimes
o'midnight," had always been considered more or less slow and steady,
and was looked upon as one of the most respectable representatives of
the community, yet his happy disposition had rendered him a general
favourite even amongst those ribalds, and his equable temper and kindly
geniality were proverbial among all the brethren of the brush. Ah, that
equable temper, that kindly geniality,--where were they now? Those
expanded nostrils, those closed lips, spoke of very different feelings;
that long steady stride was very different from the joyous step which
had provoked the cynicism of the City-bound clerks; that puckered
brow, those haggard cheeks, could not be recognised as the facial
presentments of the Geoffrey Ludlow of a few short months since.
Public-domain text, read in full here on John Shaqi.
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