Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
In good sooth he was very much altered. The mental worrying so long
striven against in silence had begun to tell upon his appearance; the
big broad shoulders had become rounded; the gait had lost its springy
elasticity, the face was lined, and the dark-brown hair round the
temples and the long full beard were dashed with streaks of silver.
These changes troubled him but little. Never, save perhaps during the
brief period of his courtship of Margaret, had he given the smallest
thought to his personal appearance; yellow soap and cold water had
been his cosmetics, and his greatest sacrifice to vanity had been to
place himself at rare intervals under the hairdresser's scissors.
But there were other changes to which, try as he might, he could not
blind himself. He knew that the very source and fount of his delight
was troubled, if not sullied; he knew that all his happiness, so long
wished for, so lately attained, was trembling in the balance; he felt
that indefinable, indescribable sensation of something impending,
something which would shatter his roof-tree and break up that home
so recently established. As he plunged onward through the seething
streets, looking neither to the right nor to the left, he thought
vaguely of the events of the last few months of his life--thought of
them, regarding them as a dream. How long was it since he was so happy
at home with his old mother and with Til? when the monthly meeting
of the Titians caused his greatest excitement, and when his hopes of
fame were yet visionary and indistinct? How long was it since he had
met _her_ that fearful night, and had drunk of the beauty and the
witchery which had had such results? He was a man now before the world
with a name which people knew and respected, with a wife whose beauty
people admired; but, ah! where was the quietude, the calm unpretending
happiness of those old days?
Public-domain text, read in full here on John Shaqi.
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