Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
So happy was he under the influence of his last thought, that he longed
to take Margaret to his heart at once, and without delay to make trial
of his scheme for dissipating her gloom; but when he reached home,
the servant told him that her mistress had gone out very soon after
he himself had left that morning, and had not yet returned. So he
went through into the studio, intending to work at his picture; but
when he got there he sunk down into a chair, staring vacantly at the
lay-figure, arranged as usual in a preposterous attitude, and thinking
about Margaret. Rousing himself, he found his palette, and commenced
to set it; but while in the midst of this task, he suddenly fell
a-thinking again, and stood there mooning, until the hope of doing any
work was past, and the evening shadows were falling on the landscape.
Then he put up his palette and his brushes, and went into the
dining-room. He walked to the window, but had scarcely reached it, when
he saw a cab drive up. The man opened the door, and Margaret descended,
said a few hasty words to the driver, who touched his hat and fastened
on his horse's nosebag, and approached the house with rapid steps.
From his position in the window, he had noticed a strange light in her
eyes which he had never before seen there, a bright hectic flush on
her cheek, a tight compression of her lips. When she entered the room
he saw that in his first hasty glance he had not been deceived; that
the whole expression of her face had changed from its usual state of
statuesque repose, and was now stern, hard, and defiant.
He was standing in the shadow of the window-curtain, and she did not
see him at first; but throwing her parasol on the table, commenced
pacing the room. The lamp was as yet unlit, and the flickering
firelight--now glowing a deep dull red, now leaping into yellow
flame--gave an additional weirdness to the set intensity of her
beautiful face. Gazing at her mechanically walking to and fro, her head
supported by one hand, her eyes gleaming, her hair pushed back off her
face, Geoffrey again felt that indescribable sinking at his heart; and
there was something of terror in the tone in which, stepping forward,
he uttered her name--"Margaret!"
In an instant she stopped in her walk, and turning towards the place
whence the voice came, said, "You there, Geoffrey?"
"Yes, darling,--who else? I was standing at the window when the cab
drove up, and saw you get out. By the way, you've not sent away the cab,
love; is he paid?"
"No, not yet,--he will--let him stay a little."
"Well, but why keep him up here, my child, where there is no chance of
his getting a return-fare? Better pay him and let him go. I'll go and
pay him!" and he was leaving the room.
Public-domain text, read in full here on John Shaqi.
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