Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"Yes, that is it. How lovely it is!--both words and music, I think."
"Yes, it is lovely. It was written by a Mr. Lyte, when he was--"
She checked herself, but he finished the sentence for her,--"When he
was dying. Yes; I recollect your telling me so that night. Sing it for
me, dear."
She turned to the piano at once, and in an instant the rich deep tones
of her voice were ringing through the room. Annie Maurice sang ballads
sweetly, but she sang hymns magnificently. There was not the slightest
attempt at ornamentation or _bravura_ in her performance, but she threw
her whole soul into her singing; and the result was rich and solemn
melody. As she sang, she seemed to embody the spirit of the composer,
and her voice vibrated and shook with the fervour which animated her.
Half leaning on his stick, half reclining in his chair, Caterham
watched her in rapt delight; then when she had finished, and ere
the thrilling music of her voice had died away, he said: "Thanks,
dear--again a thousand thanks! Now, once more a request, Annie. I shall
not worry you much more, my child."
"Arthur,"--and in an instant she was by his side,--"if you speak like
that, I declare I will not sing to you."
"O yes, you will, Annie dear!---O yes, you will. You know as well
as I do that--Well, then"--obedient to a forefinger uplifted in
warning--"I'll say no more on that point. But I want you now to sing
me the old-fashioned Evening Hymn. Ive a very ancient love for dear
old Bishop Ken, and I don't like to think of his being set aside
for any modern hymnologist,--even for such a specimen as that you
have just sung. Sing me 'Glory to Thee,' Annie,--that is, if you are
old-fashioned enough to know it."
She smiled, and sang. When she ceased, finding that he remained
speechless and motionless, she went up to him, fearing that he had
fainted. He was lying back in his chair perfectly quiet, with his eyes
closed. When she touched him, he opened them dreamily, saying, "'That
I may dread the grave as little as my bed.' Yes, yes!--Ah, Annie dear,
you've finished!--and to think that you, a modern young lady, should be
able to sing old Bishop Ken without book! Where did you learn him?"
"When I was a very little child,--at the Priory, Arthur. Geoffrey
Ludlow--as Ive told you, I think--used to come out to us every Sunday;
and in the evening after dinner, before I went to bed, he used to ask
for his little wife to sing to him. And then poor papa used to tell me
to sit on Geoff's knee, and I used to sing the Evening Hymn."
"Ay," said Caterham in an absent manner, "Geoffrey Ludlow's little
wife! Geoffrey Ludlow's little wife!--ay, ay! 'That so I may, rise
glorious at Thine awful day!' In Thy mercy, in Thy mercy!" and saying
this, he fainted away.
That evening Algy Barford, at Lord Dropmore's in Lincolnshire, on his
return from shooting, found a telegram on his dressing-room table. It
was from Annie Maurice, and begged his immediate return to town.
Public-domain text, read in full here on John Shaqi.
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