Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Lord Caterham was better the next day. Though still very weak,
he insisted on being dressed and wheeled into his sitting-room.
Once there, he had his despatch-box placed before him, and the
writing-materials put ready to his hand. Of late he had occasionally
been in the habit of employing an amanuensis. Annie Maurice had
frequently written from his dictation; and when she had been engaged, a
son of the old housekeeper, who was employed at a law-stationer's, and
who wrote a hand which was almost illegible from its very clearness,
had sometimes been pressed into the service. But now Lord Caterham
preferred writing for himself. Annie had sent to beg him to rest; and
in reply he had scrawled two lines, saying that he was ever so much
better, and that he had something to do which must be done, and which
when done would leave him much happier and easier in mind. So they left
him to himself; and Stephens, looking in from time to time, as was his
wont, reported to the servants'-hall that his master was "at it as hard
as ever--still a-writin'!" They wondered what could thus occupy him,
those curious domestics. They knew exactly the state in which he was,
the feeble hold that he had on life;--what do they not know, those
London servants?--and they thought that he was making his will, and
speculated freely among themselves as to what would be the amount of
Stephens's inheritance; and whether it would be a sum of money "down,"
or an annuity; and whether Stephens would invest it after the usual
fashion of their kind--in a public-house, or whether, from excessive
gentility, he was not "a cut above that." Lord Caterham would not hold
out much longer, they opined; and then Mr. Lionel would come in for
his title; and who Mr. Lionel was--inquired about by the new servants,
and the description of Mr. Lionel by the old servants--and mysterious
hints as to how, in the matter of Mr. Lionel, there had been a "screw
loose" and a "peg out;" how he was a "regular out-and-out fast lot,"
and had had to "cut it;"--all this occasioned plenty of talk in the
servants'-hall, and made the dreary autumn-day pass quite pleasantly.
And still the sick man sat at his desk, plying his pen, with but rare
intervals of rest--intervals during which he would clasp his poor
aching head, and lift his shrivelled attenuated hands in earnest silent
prayer.
Public-domain text, read in full here on John Shaqi.
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