Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"Lor, Mr. Potts! what can have brought you 'ere, sir? Flexor's not come
in, sir, yet--at them nasty Titiums, he is, and joy go with him. If
you're wanting him, sir, you'd better--"
"No, Mrs. Flexor, we don't want your husband just now. Here's Mr.
Ludlow, who--"
"Lord, and so it is! but seeing nothing but the nape of your neck, sir,
I did not recognise--"
"All right, Mrs. Flexor," said Geoffrey; "we want to know if your
house is full. If not, here is a poor woman for whom we--at least Mr.
Potts--and I myself, for the matter of that--"
"Stuttering again, Geoff! What stuff! Here, Mrs. Flexor, we want a room
for this young woman to sleep in; and just help us in with her at once
into your parlour, will you? and let us put her down there while I run
round for the doctor."
It is probable that Mrs. Flexor might have raised objections to this
proposition; but Charley Potts was a favourite with her, and Geoffrey
Ludlow was a certain source of income to her husband; so she stepped
back while the men caught up their burden, who all this time had been
resting, half-fainting, on Geoffrey's shoulder, and carried her into
the parlour. Here they placed her in a big, frayed, ragged easy-chair,
with all its cushion-stuffing gone, and palpable bits of shaggy wool
peering through its arms and back; and after dragging this in front of
the expiring fire, and bidding Mrs. Flexor at once prepare some hot
gruel, Charley Potts rushed away to catch Dr. Rollit.
And now Geoffrey Ludlow, left to himself once more (for the girl was
lying back in the chair, still with unclosing eyes, and had apparently
relapsed into a state of stupor), began to turn the events of the
past hour in his mind, and to wonder very much at the position in
which he found himself. Here he was in a room in a house which he had
never before entered, shut up with a girl of whose name or condition
he was as yet entirely ignorant, of whose very existence he had only
just known; he, who had always shirked anything which afforded the
smallest chance of adventure, was actually taking part in a romance.
And yet--nonsense! here was a starving wanderer, whom he and his friend
had rescued from the street; an ordinary every-day case, familiar in a
thousand phases to the relieving-officers and the poor-law guardians,
who, after her certain allowance of warmth, and food, and physic, would
start off to go--no matter where, and do--no matter what. And yet he
certainly had not been deceived in thinking of her faint protest when
Charley proposed to send her to the workhouse. She had spoken then; and
though the words were so few and the tone so low, there was something
in the latter which suggested education and refinement. Her hands too,
her poor thin hands, were long and well-shaped, with tapering fingers
and filbert-nails, and bore no traces of hard work: and her face--ah,
he should be better able to see her face now.
Public-domain text, read in full here on John Shaqi.
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