Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
Some one surely must long ere this have remarked how our manner of
waking from slumber is affected by our state of mind. The instant that
consciousness comes upon us, the dominant object of our thoughts,
be it pleasant or horrible, is before us: the absurd quarrel with
the man in the black beard last night, about--what _was_ it about?
the acceptance which Smith holds, which must be met, and can't be
renewed; the proposal in the conservatory to Emily Fairbairn, while
she was flushed with the first _valse_ after supper, and we with Mrs.
Tresillian's champagne;--or, _per contra_, as they say in the City, the
thrilling pressure of Flora Maitland's hand, and the low whisper in
which she gave us rendezvous at the Botanical Fête this afternoon the
lawyer's letter informing us of our godfather's handsome legacy;--all
these, whether for good or ill, come before us with the first unclosing
of our eyelids. If agreeable we rouse ourselves at once, and lie
simultaneously chewing the cud of pleasant thoughts and enjoying the
calm haven of our bed; if objectionable, we try and shut them out yet
for a little while, and turning round court sleep once more.
What was the first thought that flashed across Geoffrey Ludlow's brain
immediately on his waking, and filled him with hope and joy? Not the
remembrance of the purchase of his picture by Mr. Stompff, though
that certainly occurred to him, with Stompff's promises of future
employment, and the kind words of his old friends at the Titians, all
floating simultaneously across his mind. But with these thoughts came
the recollection of a fragile form, and a thin hand with long lithe
fingers wound round his own, and a low feeble voice whispering the
words "Bless you!--saved me!" in his listening ear.
Public-domain text, read in full here on John Shaqi.
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