Artists -- Fiction; England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
When did the giver of good, sound, unpalatable, wholesome advice
ever receive his due? Who does not possess, amongst the multitude of
acquaintances, a friend who says, "Such and such are my difficulties:
I come to you because I want advice;" and who, after having heard all
that, after a long struggle with yourself, you bring yourself to say,
wrings your hand, goes away thinking what an impertinent idiot you
are, and does exactly the opposite of all you have suggested? All men,
even the most self-opinionated and practical, are eager for advice.
None, even the most hesitating and diffident, take it, unless it agrees
with their own preconceived ideas. There are, of course, exceptions
by which this rule is proved; but there are two subjects on which no
man was ever yet known to take advice, and they are horses and women.
Depreciate your friend's purchase as delicately as Agag came unto
Saul; give every possible encomium to make and shape and breeding; but
hint, _per contra_, that the animal is scarcely up to his weight, or
that that cramped action looks like a possible blunder; suggest that
a little more slope in the shoulder, a little less cowiness in the
general build, might be desirable for riding purposes, and your friend
will smile, and shake his head, and canter away, convinced of the utter
shallowness of your equine knowledge. In the other matter it is much
worse. You must be very much indeed a man's friend if you can venture
to hint to him, even after his iterated requests for your honest candid
opinion, that the lady of his love is any thing but what he thinks
her. And though you iterate and reiterate, moralise as shrewdly as
Ecclesiasticus, bring chapter and verse to support your text, he must
be more or less than a man, and cast in very different clay from that
of which we poor ordinary mortals are composed, if he accepts one of
your arguments or gives way one atom before your elucidations.
Did William Bowker's forlorn story, commingled with his earnest
passionate appeal, weigh one scruple with Geoffrey Ludlow? Not one.
Geoff was taken aback by the story. There was a grand human interest
in that laying bare before him of a man's heart, and of two persons'
wasted lives, which aroused his interest and his sympathy, made him
ponder over what might have been, had the principal actors in the
drama been kept asunder, and sent him into a fine drowsy state of
metaphysical dubiety. But while Bowker was pointing his moral, Geoff
was merely turning over the various salient points which had adorned
his tale.
Public-domain text, read in full here on John Shaqi.
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