Russian literature -- 19th century -- History and criticism
They considered this man to be indulging in an unnecessary pose, but
he was not, according to our ideas, in the least a formalist or a
lover of red tape; he merely insisted on what he considered to be
an irreducible minimum of discipline, the result being that he was
a square peg in a round hole. Moreover, when people committed, or
commit (and this is true in any department of public life in Russia),
a glaring offence, or leave undone an important part of their duty, it
is very rare that they are dealt with drastically; they are generally
threatened with punishment which ends in platonic censure. And this
fact, combined with a bureaucratic system, has dangerous results, for
the official often steps beyond the limits of his duty and takes upon
himself to commit lawless acts, and to exercise unlawful and arbitrary
functions, knowing perfectly well that he can do so with impunity,
and that he will not be punished. And one of the proofs that a new
era is now beginning in Russia is a series of phenomena never before
witnessed, and which have occurred not long ago--namely, the punishment
and dismissal of guilty officials, such as, for instance, that of
Gurko, who was dismissed from his post in the Government for having
been responsible for certain dishonest dealings in the matter of the
Famine Relief.
Of course such indulgence, or rather the slackness resulting from it,
is not universal. Otherwise the whole country would go to pieces. And
yet so far from going to pieces, even through a revolution things
jogged on somehow or other. For against every square yard of slackness
there is generally a square inch of exceptional capacity, and a square
foot of dogged efficiency, and thus the balance is restored. The
incompetency of a Stoessel, and a host of others, is counterbalanced
not only by the brilliant energy of a Kondratenko, but by the hard
work of thousands of unknown men. And this is true throughout all
public life in Russia. At the same time, the happy-go-lucky element,
the feeling of “What does it matter?” of what they call _nichevo_, is
the preponderating quality; and it is only so far counterbalanced by
sterner qualities as to make the machine go on. This accounts also for
the apparent weakness of the revolutionary element in Russia. The ranks
of these people, which at one moment appear to be so formidable, at the
next moment seem to have scattered to the four winds of heaven. They
appear to give in and to accept, to submit and be resigned to fate.
But there is nevertheless an undying passive resistance; and at the
bottom of the Russian character, whether that character be employed
in revolutionary or in other channels, there is an obstinate grit of
resistance. Again, one is met in Russian history, from the days of
Peter the Great down to the present day, with isolated instances of
exceptional energy and of powers of organisation, such as Souvorov,
Skobelieff, Kondratenko, Kilkov, and, to take a less known instance,
Public-domain text, read in full here on John Shaqi.
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