Russian literature -- 19th century -- History and criticism
I myself experienced an impression of the same kind, one evening in
July 1906. I was strolling about the streets of St. Petersburg. It was
the Sunday of the dissolution of the Duma; the dissolution had been
announced that very morning. The streets were crowded with people,
mostly poor people. I was walking with an Englishman who had spent some
years in Russia, and he said to me: “It is all very well to talk of
the calamities of this country. Have you ever in your life seen a more
cheerful Sunday crowd?” I certainly had not.
The Russian character has an element of happy consent and submission
to the inevitable; of adapting itself to any circumstance, however
disagreeable, which I have never come across in any other country. The
Russians have a faculty of making the best of things which I have never
seen developed in so high a degree. I remember once in Manchuria during
the war, some soldiers, who were under the command of a sergeant,
preparing early one morning, just before the battle of Ta-Shi-Chiao,
to make some tea. Suddenly a man in command said there would not be
time to have tea. The men simply said, “To-day no tea will be drunk,”
with a smile; it did not occur to any one to complain, and they put
away the kettle, which was just on the boil, and drove away in a cart.
I witnessed this kind of incident over and over again. I remember one
night at a place called Lonely Tree Hill. I was with a battery. We
had just arrived, and there were no quarters. We generally lived in
Chinese houses, but on this occasion there were none to be found. We
encamped on the side of a hill. There was no shelter, no food, and
no fire, and presently it began to rain. The Cossacks, of whom the
battery was composed, made a kind of shelter out of what straw and
millet they could find, and settled themselves down as comfortably and
as cheerfully as if they had been in barracks. They accomplished the
difficult task of making themselves comfortable out of nothing, and of
making me comfortable also.
Besides this power of making the best of things, the Russians have a
keen sense of humour. The clowns in their circuses are inimitable. A
type you frequently meet in Russia is the man who tells stories and
anecdotes which are distinguished by simplicity and by a knack of just
seizing on the ludicrous side of some trivial episode or conversation.
Their humour is not unlike English humour in kind, and this explains
the wide popularity of our humorous writers in Russia, beginning with
Dickens, including such essentially English writers as W. W. Jacobs
and the author of _The Diary of a Nobody_, and ending with Jerome K.
Jerome, whose complete works can be obtained at any Russian railway
station.[5]
All these elements are fully represented in Russian literature; but
the kind of Russian literature which is saturated with these qualities
either does not reach us at all, or reaches us in scarce and inadequate
translations.
Public-domain text, read in full here on John Shaqi.
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