Russian literature -- 19th century -- History and criticism
One of the great difficulties in writing studies of various Russian
writers is the paradoxical thread that runs through the Russian
character. Russia is the land of paradoxes. The Russian character and
temperament are baffling, owing to the paradoxical elements which are
found united in them. It is for this reason that a series of studies
dealing with different aspects of the Russian character often have
the appearance of being a series of contradictory statements. I have
therefore in the first chapter of this book stated what I consider to
be the chief paradoxical elements of the Russian character. It is the
conflicting nature of these elements which accounts for the seemingly
contradictory qualities that we meet with in Russian literature. For
instance, there is a passive element in the Russian nature; there
is also something unbridled, a spirit which breaks all bounds of
self-control and runs riot; and there is also a stubborn element, a
tough obstinacy. The result is that at one moment one is pointing out
the matter-of-fact side of the Russian genius which clings to the earth
and abhors extravagance; and at another time one is discoursing on the
passion certain Russian novelists have for making their characters
wallow in abstract discussions; or, again, the cheerfulness of Gogol
has to be reconciled with the “inspissated gloom” of certain other
writers. All this makes it easy for a critic to bring the charge of
inconsistency against a student whose object is to provide certain
side-lights on certain striking examples, rather than a comprehensive
view of the whole, a task which is beyond the scope and powers of the
present writer.
The student of Russian literature who wishes for a comprehensive view
of the whole of Russian literature and of its historic significance
and development, cannot do better than read Professor Brückner’s
solid and brilliant _Literary History of Russia_, which is admirably
translated into English.
The object of my book is to interest the reader in Russia and Russian
literature, and to enable him to make up his mind as to whether he
wishes to seek after a more intimate knowledge of the subject.
Public-domain text, read in full here on John Shaqi.
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