Russian literature -- 19th century -- History and criticism
The question is, has a human being the right to do this, especially if,
for any reasons whatever, he is not able to make the full and complete
renunciation, and to cut himself off from the world altogether? The
answer is that if this be the foundation of Tolstoy’s teaching, people
have a right to complain of there being something wrong in it. If he
had left the world and become a pilgrim, like one of the early Russian
saints, not a word could have been said; or if he had remained in the
world, preaching the ideals of Christianity and carrying them out
as far as he could, not a word could have been said. But, while he
has not followed the first course, he has preached that the second
course is wrong. He has striven after the ideal of Ivan Durak, but has
been unable to find it, simply because he has been unable to humble
himself; he has re-written the Gospels to suit his own temperament.
The cry of his youth, “I have no modesty,” remains true of him after
his conversion. It is rather that he has no humility; and, instead of
acknowledging that every man is appointed to a definite task, and that
there is no such thing as a superfluous man or a superfluous task, he
has preached that all tasks are superfluous except what he himself
considers to be necessary; instead of preaching the love of the divine
“image of the King,” with which man is stamped like a coin, he has told
us to love the maker of the coin by hatred of His handiwork, quite
regardless of the image with which it is stamped.
This all arises from the dual personality in the man, the conflict
between the titanic “Lucifer” and the other element in him, for ever
searching for the ideal of Ivan Durak. The Titan is consumed with
desire to become Ivan Durak; he preaches to the whole world that they
should do so, but he cannot do it himself. Other proud and titanic
natures have done it; but Tolstoy cannot do what Dante did. Dante was
proud and a Titan, but Dante divested himself of his pride, and seeing
the truth, said: “In la sua volontade è nostra pace.” Nor can Tolstoy
attain to Goethe’s great cry of recognition of the “himmlische Mächte,”
“Wer nie sein Brod mit Thränen ass.” He remains isolated in his high
and terrible solitude:
“In the cold starlight where thou canst not climb.”
Tourgeniev said of Tolstoy, “He never loved any one but himself.”
Merejkowski, in his _Tolstoy as Man and Artist_, a creative work of
criticism, is nearer the truth when he says, He has never loved any
man, “_not even himself_!” But Merejkowski considers that the full
circle of Tolstoy’s spiritual life is not closed. He does not believe
he has found the truth which he has sought for all his life, nor that
he is, as yet, at rest.
Public-domain text, read in full here on John Shaqi.
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